This movie portrays the drug scene in Berlin in the 70s, following tape recordings of Christiane F. 14 years old Christiane lives with her mother and little sister in a typical multi-storey apartment building in Berlin. She's fascinated by the 'Sound', a new disco with most modern equipment. Although she's legally too young, she asks a friend to take her. There she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene.
London, England. Mike, a fifteen-year-old boy, gets a job in a bathhouse, where he meets Susan, an attractive young woman who works there as an attendant.
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
The life of a married Munich technical draftsman with a son.
The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.
Ferdinand Weitel, a forklift driver, is desperate: Insurance agent Arno von Mehling, a true sales talent, has had contracts signed in record amounts. Now Weitel is wandering through the corridors of the insurance company trying to save what can still be saved - on Shrove Tuesday of all days. The department for customer service and complaints is in a colorful mood and has no ear for Weitel's worries. Finally, secretary Annerose Waguscheit takes heart and tells him about the evening carnival ball "Traum-Police", where he can safely find Mr. Mehling.
A married self-employed carpenter on the verge of ruin raids the bank that did not extend his credit.
It's Friday evening. The lift repairman leaves the building and wants to finish his work on Monday. But he doesn't know there are four men in the building. They use the lift but stay in it about 100 meters from the floor. They have little oxygen and must survive…
A French diplomat is surveilled by a secret service to find a weakness for political control, his private life becoming 'File No. 51'.
A very middle-class Bavarian family spend the last day of their Mediterranean vacation on the beach, day-dreaming and muttering racist remarks about Italian people.
Based on a novel by Vladimir Nabokov, this English-language satirical drama details the experiences of Frank (John Moulder Brown), a young orphan who finds himself deep in the romantic clutches of his uncle's sensual wife. After Frank's parents die, he goes to live with his aunt Martha (Gina Lollabrigida) and uncle Charles (David Niven). Sexy Martha entices Frank into her embrace then wants him to kill her husband so that they can live off of his money. Frank wouldn't mind so much, but he really likes his uncle.
An unemployed investor creates a fictious business partner to attempt to improve business. Eventually, his creation gets out of control as his business becomes successful and his wife announces that she is in love with the partner and his son wishes the partner was his father -- although no one has ever seen him. To regain control, the man decides to "kill" his imaginary partner and is arrested for the murder.
A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?
After his family tries to kill him and he has been pronounced dead, Michel returns from the dead and sets about getting revenge on his family members. He sends each one a voodoo doll, warning of their fate. Wandering over the streets of Paris, Michel is the haunted and hunted, as he himself hunts his villainous kin.
