Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.
Eugenio offers his childhood friend Martin a work for the summer. With a game of power and desire a relationship starts to grow that goes beyond their friendship.
Bruno's plan to win back his ex-girlfriend hits a snag when he becomes attracted to her boyfriend.
The portrait of a man and his attempts to make things up with life after losing his job.
Two men of low life travel by car under a sweltering sun. They do not find the place they are looking for, lost in a remote Argentine countryside. They arrive at a workshop to ask questions and events seem to take off. The short was part of "Short Stories I" (1995).
A comedy about the relationship between a modern, shy, young man and the spirit of a violent knife-killer murdered in 1920. They make a pledge: the latter will tell the former what exists beyond death if he allows him to inhabit his body for a whole day. Thus, the ghost will go around an unrecognizable twenty first century Buenos Aires to uncover the causes of his own death.
A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Germán’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings for each other. Germán finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Germán. Playfully alternating between these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.
A filmmaker meets her ex-boyfriend, who plays a role in her new film, in which the authenticity or falsity of a kiss in a gay scene is debated, with backstage included. Metacine or metagay? Gay cinema within cinema or cinema within gay cinema, variations of a daedalus of representations. "The current boyfriend" feeds on lateral humor, on the political of desire as a talk in the kitchen, on the flicker-free observation of who we are and what we pretend to be, as a nucleus that is reinterpreted with always different gestures, once as drama and another like comedy, almost without knowing which is appropriate.
It’s 1955. Rosa a skillful seamstress becomes the only witness of a murder. In a time of political tension in Argentina, the crime’s investigation will trigger the final resolution of the conflict and sealed Rosa’s destiny for good. A typical crime film with the exception that the detective is a housewife.
Maria is a girl in her early teens whose family lives in an upscale gated suburb. Maria's parents are going out of town for a week, and rather than leave her with relatives or hire a babysitter, Maria is put in charge of looking after her little sister Sofia, with housekeeper Esther serving as a nominal adult authority figure, though for the most part she lets Maria and the others do what they please. With only their parents bedroom off-limits, Maria and Sofia have the run of the house, and soon they and their friends Facundo, Quique, Rodrigo and Timmy are spending their days exploring the place. As the kids begin creating their own rules to run counter to the ones their absent parents set down, Esther brings a young relative, Fernando, to play with them, and the privileged kids begin to get a notion of the ways of the outside world.
Mateo and Lucía are moving abroad. The day before leaving, Mateo reunites with his lifelong friend, Dionisio, to spend one last summer afternoon together. However, as their inevitable goodbye inches closer, Mateo begins to perceive a series of strange events. In particular, he begins to hear a goat's bleat…
A remote village 100 kilometers from the city of Buenos Aires. Stephen, Matías, Alejo, Damián and Guido were born 13 years ago in this small town. They have always been friends and together they share the monotonous summer afternoons sitting on the stoop of a women's hairdresser. Anxious, restless, impatient for a change, they go through the most confusing period of experiment -- the transition from childhood to adolescence.
A married woman with a mute daughter has a forbidden relationship with the single father of a teenage boy.
Ani, an apprentice hairdresser who loses her job meets Danilo, a forty-something street scissors sharpener.
After a hopeless session in the boxing ring, lusterless Hochman joins an impromptu date with a young woman, with whom he has far more in common than he at first realizes.
The postcard is diffuse, but in the memory there are flashes of clarity. They appear in the scene: they chat, they meet again and they recognize in each other's eyes and words. Expectant for what may happen in the future, they decide to talk about the past to understand the configuration of the present.
Two children, victims of a controlling and violent stepfather, organize a plan to get their mother to abandon him.
Twelve year old Juana goes to a British school in the outskirts of Buenos Aires, where she fails both socially and academically. A week away from the exams that will determine her future in the institution, she is surrounded by the same routine; going to class and trying to pull her social life back together, with useless attempts in between. Juana goes through these strange days apparently feeling indifferent towards the situation.
Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."
