Blank

Between school trouble, mean girl drama, catchy lyrics, and a mysterious blue car, teenage Lena, sometimes distracted or interrupted, tells us the real story behind The Big Fight. But what isn’t she telling us?

Six young friends decide that the 2015 spring equinox is a great reason to throw a party. Two of them will prepare the "venue", the other two will get the booze, and the last two will get the weed. And right before midnight, they'll meet at the party to welcome the arrival of spring. Or not, depending on how they handle the situations they find themselves in while trying to run their seemingly simple errands, in which we get to know Zagreb, its life and nightlife, and the characters get to know themselves and each other.

Maja and Alen live in a dilapidated apartment on the outskirts of the city. Even if they wanted more from life, they don't have much hope because the company Maja works for is in debt and doesn't pay their salaries, while Alen, who works from home, has less and less work. That is why they start their own business whose survival is put in question when Maja discovers that security cameras will soon be installed in her company.

After long years of bullying, one boy buys voodoo doll so he could have his revenge.

Envolves around the mysterious death of a female librarian.

Roko and Mirela are friends from Split. A big music festival is taking place in the city and Mirela wants to go.

Two girls, end of Summer and end of their love. A man comes to make some changes in his and their life.

"To make the film Goddaddy was a great challenge, because it covers almost forty years of Milan Bandić's activity, a seemingly hyperactive and Trump-like character of the Croatian political scene. Bandić has been elected six times as the mayor of Zagreb, which is not only the capital city of all Croats, but also the capital city of all Croatian criminals. Three times Milan Bandić has rejected to give us an interview for the film, so we made an audition to find him a double." - Dario Juričan

The air is sultry. Heat rises in the blood. Shortness of breath forces Pero to cross the line. Will he be able to fly?

The house, the parents, the ravaged city streets and the stream of thoughts. This is the first self-isolation that is not self-initiated. Only one apocalypse was mandatory to bring us closer.

Just as he's getting ready to celebrate the new year amid a global pandemic, a thirteen-year old's careless winter break is interrupted when an earthquake hits nearby.

This film is about an attempt to reconcile with our home. Or with what used to be our home a long time ago. Or, at least, what our family thinks is our home. Or what we no longer see as our own home. Or, perhaps, is this a film about accepting the realization that we are happier somewhere else?