Norsk Film

Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.

A young man returns home from college during a holiday break to visit his widowed mother. Along the way he meets an attractive woman and they hit it off so well during his return trip that she accepts an invitation from him to stay at his Mother's house during his stay. But his Mother is not pleased with this surprise as she has rather strong feelings for her own son and desires to keep him all for herself.

Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

A group of friends travel to a cabin in the Norwegian forest. It's a rumour that at night a crazy man can be heard screaming at a lake nearby the cabin.

Den siste Fleksnes (English: The last Fleksnes) is a 1974 Norwegian comedy film directed by Bo Hermansson, starring Rolv Wesenlund and Aud Schønemann. The film is based on the television sitcom Fleksnes Fataliteter.Marve Fleksnes (Wesenlund) lives a comfortable life with his mother (Schønemann), but misses a woman in his life. He is afraid he might become the last Fleksnes. His mother enrols him in a charm school, where he excels. At the same time, a young lady moves into the apartment across the hall.

A young boy named Pelle falls in love with the drug addict Lena. Then he and his friend Proffen tries to save her from the drugs.

Detectives Jonas and Erik are called to the midnight sun country of northern Norway to investigate a recent homicide, but their plan to arrest the killer goes awry, and Jonas mistakenly shoots Erik. The suspect escapes, and a frightened Jonas pins Erik's death on the fugitive. Jonas continues to pursue the killer as he seeks to protect himself; however, his mounting guilt and the omnipresent sun plague him with an insomnia that affects his sanity.

Dimwitted, somewhat misanthropic Oslo mail carrier Roy's quiet life changes dramatically on the day he steals a set of keys and lets himself into the apartment of a deaf woman who seems to be in trouble with a psychotic criminal. Though he doesn't know it at the time, his and her fate are about to intertwine and this is not going to be to his benefit.

John Thornton, is a fearless man who's after more than gold; he wants to do what's right. Thornton works for the U.S. mail and is the only person daring and smart enough to figure out how to travel the deadly 600 miles from Skagway to Dawson, Alaska in the icy winter. His incredibly dog Buck is by his side and part of how he survives.

The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.

This mellow comedy is the third entry in filmmaker Anja Breien's "Wives" series and stars the same three actresses who appeared in the first two. This episodic film begins with flashbacks to the 1975 film Wives and scenes from 1985's Wives: Ten Years Later. Now ten more years have passed and they are comfortably ensconced in middle age. They have gathered to hold a surprise birthday for Kaja aboard an Oslo streetcar. The three haven't seen each other in ages and much of the story focuses on their discussions of their disparate lives. Every word, smile and tear they share affirms the depth of their lasting friendship.

Little Tsatsiki, son of a single mother in Sweden, has never met his father, a Greek fisherman. Tsatsiki befriends a nice but straight-laced motorcycle policeman renting one of their rooms and decices he is the right guy for his mother, an amateur rock singer in love with her band's bass player.

Private detective Ture Sventon is visited by his friend Mr. Omar of the Arabic desert. Sventon decides to travel with Mr. Omar on his flying carpet to Paris. However, Sventon almost exclusively lives on cream puffs, and to transport these across the continent, he needs a portable fridge. He pays a visit to Stockholms foremost fridge inventor and are introduced to a new fridge which shrinks and deshrinks the food. The inventor is afraid his new invention will be stolen, and thus Sventon brings it to Paris where it gets stolen.

Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution lead by the likes of nihilist Hans Jæger.

Herman works as a delivery boy for a flower shop after school. One day delivers a bouquet to Rosa Stern, a woman in her early 40s who lives behind heavy curtains in an apartment filled with a mysterious atmosphere. In the coming weeks, Herman will receive more bouquets to be delivered to Rosa. Rosa's visits are becoming increasingly important to him.

This co-production between Norway and Sweden is the first film that Anja Breien has made since Wives. She has adapted a novel by Hjalmar Soderberg. who also wrote 'Gertrud' from which Carl Dreyer's last film was made, and Doctor Glas' (made into a film by Mai Zetterhng) Games of Love and Loneliness, concerns the manners and mores of Scandinavian society between the years 1897 and 1912. A young journalist, Arvid, falls in love with a girl but won't commit himself to marrying her. She marries an older and richer man and he's pushed into marrying the girl he's been sleeping with. He meets his first love again, and she leaves her husband to have an affair with him, but he still cannot bring himself to leave his wife. Although Anja Breien has changed the character of the girl to make her less of a femme fatale and more of an emancipated woman, the film's central concern is the young man who cannot make up his mind what to do with his life.

When a ship sinks during a storm, a slave from the industrial island of Plutonia is washed up on the beaches of paradise island Melonia, where the "all-powerful" wizard Prospero and his strange friends reside.

Larsen, an aspiring poet in '20s Oslo, leaves his girlfriend to spend a year as a trapper in East Greenland. There he is teamed with a seemingly rough old sailor/trapper, Randbæk, and a scientist, Holm. Trapped in a tiny hut together as the Arctic winter sets in, a complex and intense love/hate relationship develops between Randbæk and Larsen, who are more similar than either would like to admit. A powerful psychological and physical drama set against stunningly bleak Arctic scenery.

Two police officers lie dead. The swede Ekstrøm and the youngster Gustav flees the scene of the crime. Based on a real double murder in 1926, this movie remained almost unseen for 57 years. When the film was set to premiere in 1950 one of the murderers, having served a full sentence, went to court to have the film stopped.

Liv Ulmann's directorial debut also had her co-authoring the screenplay (with poet Peter Poulsen) as based on a Henri Nathansen's 1932 novel about an affluent late 19th century Jewish merchant family in Copenhagen. Ulmann focuses on strong-willed daughter Sofie's progress through life: a love affair with a gentile painter, an arranged marriage , childbirth and ever more fateful challenges.