Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
Brother and sister meet again after 15 years and fall in love with each other.
In southern France, in a quiet little town, the mayor, who also owns a castle with some cattle, is in the wine cellar with some other people: the pharmacist, the veterinary, and some of his employees. As they are drinking wine, they hear a terrible noise and the heat's getting higher and higher. They don't realize what's happening: when they come out of the cellar, they realize that everything has burned, and all the buildings are destroyed...
L'Etat Sauvage is based on the novel by Georges Conchon which won the highly esteemed Prix de Goncourt. The story chronicles the mindless racism of both the departing French colonial overlords and the emergent black Africans in a newly emerging African state. Laurence (Marie-Christine Barrault) suffers the outrage of her white acquaintances, including her former lover Gravenoir (Claude Brasseur) and her ex-husband Avit (Jacques Dutronc), for her affair with Patrice Doumbe (Doura Mane), an official in the new government. He in turn is ridiculed by his fellow cabinet ministers for stepping out with a white woman. The vilification escalates to such a point that Patrice is brutally murdered, and Laurence barely escapes the country alive, with the help of her ex-husband Avit.
Seeing an opportunity to make a financial recovery for the family, a nobleman attempts to wed his son to his wealthy friend's daughter. His plan is to send the boy for a cruise on the SS France with the prospective female. Upon arriving to meet the lovely girl, the young man switches places with his valet. Unbeknownst to him, however, is the fact that the girl has pulled a similar deception. Though Jean-Marc Ripert is responsible for much of the cinematography in this New Wave comedy, it is Francois Reichenbach who handled the camera for many of the ocean-liner scenes.
In this comedy, five French students in their early twenties decide it's time they saw a bit more of the world, so Clementine, Caroline, Lionel, Bruno, and Brigitte buy cut-price rail passes and set out to visit 15 of the great cities of Europe. But it doesn't take long for their great plans to unravel, as the group's desire to see the important sights gets sidetracked by their fondness for partying and the opposite sex, and as they roll through Amsterdam, Berlin, Athens, and Bologna, they stumble into a wide variety of misadventures and meet all manner of unlikely people, from a former teacher who has come rather dramatically out of the closet to a washed-up dance-pop star.
Following a broadcast on the radio, each of the listeners remembers these "little nothings" (the title is borrowed from a play by Mozart), which have often changed their lives. Each of these stories told will prove that a tiny detail in life can change an entire destiny.
Irene moves to Paris to begin a new life with her husband Jason and their two daughters, but an act of betrayal and her desire for revenge soon sends her to the brink of madness.
"The choice of each period is intimate, as each period awakens a particular emotion in me. This emotion reflects what is around me, not everyone is able to recognise it -- that is the risk I take. I think that this is good enough reason to make a film that will make visible small yet revealing things in differeent ways. I believe in tropisms and that is what interests me in this film." -- Marie Vermillard [taken from London Film Festival 2006 catalogue]
