Four girls take part in illegal underground fighting event "Girl's Blood" held at an abandoned school building in Roppongi every night. The girls have their own stories and quirks from their private lives. Satsuki (Yuria Haga) suffers from a gender identity disorder, Chinatsu (Asami Tada) ran away from an abusive husband, Miko (Ayame Misaki) is a S&M queen and Mayu (Rina Koike) has a Lolita face.
The director of a theatre company is in crisis and his actors have lost confidence in him. One day he meets a woman wearing the same shoes as him, immediately sparking chemistry between the two.
Two work colleagues: he suffers from panic attacks, she has extreme PMS. Their company distributes toy planetariums. What may not sound like Ozu Yasujirō is actually precisely that: people are attentive and do each other good, without even realising.
Tatsuya Iguchi, a legendary delinquent feared as the "Mad Dog of Komae," is released from juvenile detention. He starts a new life working at a yakiniku (grilled meat) restaurant called "Sanrui," located far away from his hometown, under the care of his uncle and aunt. However, Tatsuya is under probation, and if he gets into another fight, he's out. In front of him appears Kaname Abe, the vice leader of the biker gang "Zanjin Kirihito." This encounter marks the beginning of Tatsuya's intense journey toward rehabilitation. As he faces gang conflicts, forms new friendships and bonds with his newfound companions and family, the path Tatsuya must take to protect what's important to him unfolds.
This erotically charged drama traces the intersecting stories of a group of employees and visitors at a notorious "love hotel" in Tokyo's red-light district.
Barbara is an adult-orientated fantasy tale filled with love and the occult from Osamu Tezuka's reimagining of "The Tales of Hoffmann". Its story deals with the erotic and bizarre experiences of a famous novelist called Yosuke Mikura whose life is tossed upside down by a mysterious girl named "Barbara".
A novelist receives a letter from a female university student named Kubo about strange sounds that emanate from a room in her apartment. They begin to investigate incidents involving former residents, and eventually discover the shocking truths lurking inside the building.
Izumi is a sophomore university student when she hears from her former high school teacher and mentor Takashi. They were both involved in the school drama club. She liked him. He liked her. Takashi asks Izumi to return to the school and assist with a performance. Will the feelings be rekindled?
Sayaka, a high school student, kills herself but the reason behind her suicide is unknown. She appeared to have led a normal life with her family. Her mother Rumiko seemed to have raised Sayaka with love and care. In reality, that does not seem to be the case. When the mother and daughter recall the same incidents that took place in the past, they tell very different stories.
Junoshin Kake is a ronin. To get hired by the Kurokaze Han, he lies and tells them that a religious group is trying to destroy them. He gets hired by the Kurokaze Han, but they learn that Junoshin Kake lied. Junoshin Kake is given the death sentence and he must think of an escape plan.
Mysterious young man Miyama has the ability to sense the thoughts of other people. The secrets of his background linger emerge when he confronts the thoughts of Kusaka, his junior in high school, and the past that he ran away from.
Susume is a young dentist who can’t communicate well with people since childhood. One day, he meets and falls in love with a woman named Miyako. She invites him into her lush, forest-like apartment, and he, though awkwardly, gradually becomes closer to her.
Keiko Tsuruoka’s film is at once traditional and contemporary: it gently mixes present-day gender and sexuality politics with the old-fashioned Japanese domestic drama. Traditional lacquerwork kitchenware is the Aoki family’s legacy, handed down to patriarch Seishiro (Kaoru Kobayashi) by his now-ailing father (Masayuki Suzuki). Seishiro expects to pass it in turn to his son Yu (Ryota Bando), but Yu has no interest in the craft—quite unlike daughter Miyako (Mayu Hotta), who loves it dearly. The stage is set for conflict, as established cultural traditions collide with modern mores…
Keitaro Masuyama runs Masuyama Psychic Office. Along with his team possessing special powers, they investigate small problems in the area. One day, class 2 psychic Atsushi Takahara is handing out flyers and meets Aoba. He falls in love with her, not knowing she also has special powers and a dark past. Meanwhile, Keitaro Masuyama investigates a kidnapping case that even has the police involved. Soon, Aoba becomes the suspect for the murder of her sister's husband and the murder is somehow tied to the kidnapping case.
A bumpy team that suddenly formed challenges the Rocket League national tournament.
Set in Kyoto in the last days of the Edo Period, the bloody conflict continues between local feudal domains, which aim to overthrow the Tokugawa Shogunate, and the Shogun's police and city patrol. Tajuro Kiyokawa, once the master of the sword but now a depraved samurai who left his domain putting aside his past ambition, barely makes ends meet. Toyo, a woman who runs a tavern next door, feels affection for Tajuro who guards her place against nasty customers, but he never realizes Toyo's feelings.
Fifty elderly women are abandoned to die on a snow covered mountain, but instead wor together to build their own village named "Dendera." Some of the women wants to live their remaining days in peace, but others seek revenge against the villagers and their own families who left them to die.
Yuki has decided to quit pursuing music as a career. One day he meets composer Michiko and her son Kengo who has a pervasive developmental disorder. Yuki comes to be Kengo's babysitter due to strong pressure from his boss at work which leads to a deepening relationship with Michiko and her son.
