A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.
Allison Anders talks about her love for the work of film director Douglas Sirk.
Mixing scenes of Douglas Sirk's All That Heaven Allows and Fassbinder's Ali: Fear Eats the Soul, François Ozon creates a new film about cinephilic contamination.
An overview of the life and work of legendary Japanese filmmaker Kijû Yoshida, a notable figure of the Japanese New Wave.
An interview with film Critic Bernard Eisenschitz discussing the progression of Ernst Lubitsch's career, from the director's beginning in German silents through CLUNY BROWN, the last film he saw to completion.
This documentary brings together a collection of remarkable interview footage with Douglas Sirk filmed in 1982 for the French TV show 'Cinéma cinémas', as well as material from the finished programme.
A documentary on the making of Pier Paolo Pasolini's MEDEA (1969) features rare behind-the-scenes footage and interviews with the cast and crew.
Kathryn Bigelow talks about the work of film director Douglas Sirk.
An interview with actress Stephane Audran about her role in Gabriel Axel's 1987 film BABETTE'S FEAST.
An interview with film composer Ennio Morricone discussing his music for Elio Petri's 1970 film INVESTIGATION OF A CITIZEN ABOVE SUSPICION.
Interview with actor William Reynolds about his role in Douglas Sirk's ALL THAT HEAVEN ALLOWS (1955).
The stars and director of 'Written on the Wind' and 'The Tarnished Angels' talk about director Douglas Sirk's techniques. Archival interviews originally appeared in the documentary "Douglas Sirk: Uber Stars" (Eckhart Schmidt, 1980)
Documentary about the Parisian locations for the film by Louis Malle.
An interview with Thelma Schoonmaker Powell about Powell and Pressburger's 1943 film THE LIFE AND DEATH OF COLONEL BLIMP.
Director Peter Brook discusses his move from theater to film, his approach to adapting LORD OF THE FLIES, and the film's complicated production history.
