I Vicerè 2007
In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.
In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.
Inside a warehouse in Palermo, a group of people smashes a man’s arm to pieces with a wheelie bag packed with weights. This is the method used by an amateur criminal organization that fractures the limbs of its willing victims before staging fake accidents and raking in the insurance payouts. Vincenzo recruits the individuals from among the down-and-outs that haunt the city streets, where Luisa is a habitué, since she gets her crack there. Vincenzo’s problems suddenly get worse, though, after a series of mistakes shut him out of the gang, and Luisa is now his only chance: he convinces her to have her bones broken.
100 years ago, a terrible earthquake, followed by an equally terrible tidal wave, devastated and largely destroyed Messina and Reggio Calabria.
As a British ornithologist arrives in Sicily to research the climate change effects on migration, he witnesses a series of dramatic events. Relinquishing his role of a detached observer will be more challenging than it seems.
A road movie around Sicily in a red van loaded with "pupi", in search of new oral narrators to tell the other Sicily, the one that awakens through the universal force of popular stories.
The story of a judge against the mafia, Cesare Terranova. The first magistrate to have sensed the dangers of organized crime and to have instructed the first trials against Mafia bosses, when the word mafia was still spoken in a whisper. Terranova was killed on September 25, 1979 with his collaborator, Marshal Lenin Mancuso.
Escape from home, from the neighborhood. Then a letter written to his mother to apologise, to alleviate the sense of guilt. This is how, through autofiction, the director's past is scanned before our eyes in clear, inflammatory images. A train journey that becomes an inner journey to rework memories, to choose what to take and what to let go.