Displaced by the violence that swept their town, Paloma and Lobo survive trying to love each other. Through thirst, fear and nostalgia, Paloma wishes to go back home but Lobo lives tied to a memory that stops him from returning.
Since Rosa was little, people used to say around town that her grandfather was a black dog. The legend, belonging to the Valley of Oaxaca, spoke of a man who had the ability to turn into a black dog and roam the streets at night. Through images of the town, interviews with the brothers and animated interventions, the documentary tells the story of the myth and its importance in the collective memory.
Tania and Cocteau, a cat that comes from the not too distant future, tell the story of the passage of animals through the world and their relationship with humans.
Poncho, an 8-year-old boy, becomes obsessed with finishing a time machine, since he wants to meet Papá Nacho, his grandfather, again; who passed away months ago.
A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.
The vertiginous progress of modernity has caused the spaces that humanity previously inhabited, now remain forgotten.
Exposition of two different processes of forensic identification in exhumed bodies with features of violence.
Samuel is a taxidermist in charge of dissecting a fish, however, he begins to be stalked by his neighbor who seems to be plotting something terrible against him. Samuel becomes obsessed with this idea, and little by little he will unravel the truth of the harassment of him, without knowing that this will lead him to a destiny surrounded by horrors, blood and cosmic delusions.
Gerardo returns home with a pack of dogs barking in the background on a dark night. Inside his house he will find an altar with flowers and orange lights. Now it will be the silence that will guide his steps to find out what is on that altar.
In this comedic docufiction, Javier (Javier Raphael) is a young man who has always wanted to be a football coach like his idol “El Chelís” (José Luis Sánchez Solá), but has never done anything to fulfill his dream. Now, guided by a nosy narrator (Jorge Pietrasanta), he will look for some of the most unorthodox amateur football coaches in Mexico, and for his beloved "Chelís", so that each one can give him lessons until he is fully trained to manage a match and thus become a true "Mexican football coach".
Everything is political, even something as insignificant as a bathroom. The struggle to occupy spaces represents the struggle to reaffirm one's very existence. This is why we explore why the creation of gender-neutral bathrooms in the Faculty of Philosophy and Letters is so important in a country that leads in hate crimes against the LGBTQ+ community.
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
During the trip back from their vacation, a young couple is stranded in the middle of the road and they lose all forms of communication, including each other.
Sound progression of two opposite landscapes.
Upon the death of his grandfather and playmate, Bruno, an 8-year-old boy, embarks on a journey in a magical world, trying to finish the unfinished story he was building with his grandfather to become a king.
In this documentary, we learn about five stories that converge at the same point, the bathroom. Each bathroom tells the story of its inhabitant.
An ancient fleet of paper boats is enslaved by the music of a record player; when it breaks down, the boats see an opportunity to rebel.
In a mix-up, Tamara, an axolotl puppet, is forced to recover her mother's necklace from the least expected place.
Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.
