An animated film by French auteur Émile Cohl, one of the earliest examples of hand-drawn film animation. Drawing inspiration from J. Stuart Blackton and the Incoherents of club Hydropathes, the film, with all its wild transformations, sees our protagonist materialize a movie theatre, meet an elephant and escape from jail; A morphing, stream-of-consciousness delight.
A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.
On a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing.
An enthusiastic young couple is astounded with modern technology's giant leaps in the fascinating field of electricity.
The film portrays the events on the day King Henri III of France arranged for Duke Henri de Guise to be murdered.
A young couple are enjoying a romantic interlude in the young woman's home, when her father discovers them and angrily chases the young man out of the house. They thus decide to elope, and they make plans accordingly. But as they are leaving, a thief discovers their plans, and he decides to turn the situation to his own advantage.
Stenka Razin is the leader of a group of outlaws who live a life of revelry and carousing along the Volga River and in the nearby forests. When Razin becomes distracted by a captured foreign princess and starts to dote on her, his men are displeased, feeling that he is neglecting them and their usual activities. Soon they come up with a plot, in the hopes of turning Razin against the princess.
Mack Sennett appears as a man in the bar and in the wedding party in this film produced by the Biograph Company.
The first successful motion picture in natural color, filmed with Kinemacolor. It is an 8 minute short film directed by George Albert Smith of Brighton, showing people doing everyday activities. It is ranked of high historical importance. Kinemacolor later influenced and replaced by Technicolor, which was used from 1916 to 1952.
Segundo de Chomón's remake of Georges Méliès' A Trip to the Moon.
A group of collegiates decide to go for a splash. A lunatic, having escaped from a nearby asylum, heads for the surf, brandishing a knife. Innocent seaside fun becomes a struggle against a maniac on the water.
In a saloon in a Mexican border town, a group of cowboys, including a Mexican named Pedro, play poker. One man is discovered cheating, and is shot dead by Pedro, who is wounded as he attempts to escape. Pedro is followed home by the local sheriff, who proves the next victim of Pedro's quick temper and pistol. Pedro's wife, Juanita, is thrown into jail, but he manages to break her out. They head for the border, unaware that a posse is waiting for them.
Among the many famous 16th-century samurai who made the leap from myth and ukiyo-e to early cinema screen was sword-master Miyamoto Musashi, previously depicted in prints by Kiniyoshi Yoshitoshi and others slaying an array of grotesque creatures including giant bats, giant lizards, and the mythical tengu. This imagery informed his first screen depiction in Miyamoto Musashi Taiji No Ba, which showed him combatting the mythic white ape of the mountains.
A painter boards a train and puts his paintings in the windows so that they look like passengers.
D.W. Griffith film about an elderly father who grows tired of seeing his son bring home beautiful women so he gets a makeover and heads out on the prowl.
Mack Sennett appears as a guest and a man in the fight in this film produced by the Biograph Company.
Mack Sennett appears as a waiter in this film produced by the Biograph Company.
This film from George Melies is sadly one that's only available in fragments. The film starts off with a title card stating that a drunk man has just thrown his family out a window. We see a couple of them landing on the ground and then we go back to the room where the drunk is now trying to kill himself.
