KRO-NCRV

The Black Widow is not dead ... Drug Queen Carmen van Walraven is hiding in Canada and leads an anonymous life there. One evening a colleague is harassed and Carmen helps her. In self-defense, she kills the perpetrator, is arrested and extradited to the Netherlands. While her children are in shock that their mother is still alive, there are also some people who still have to settle something with Carmen. Everyone is again dragged into an emotional rollercoaster. Carmen will now have deal with her past to save her family.

Two former lovers find themselves struggling for shared closure as one of them prepares to stage a play about the unspeakable tragedy that tore them apart decades ago.

“Job is 2 meters tall and has been my baby for 58 years. I will continue to care for him as long as I can,” says 91-year-old Tineke about her severely disabled adult son. But how long can she keep that up and who needs who: Job Tineke or Tineke Job? A documentary about the limits of motherhood.

A Dutch TV journalist finds himself challenging the police, courts and media as he attempts to uncover the truth about the controversial 1999 Deventer murder case.

A psychological thriller inspired by the life of Michael S., a small-town boy from Holland, who becomes the world's most wanted cybercriminal.

In a dystopian 2054, three young rebels go on a journey to find traces of the long lost beauty of nature, hoping to discover what happened to their planet.

The harried manager of a rundown RV park gets pulled into chaos after a troubled former child star arrives with problems in tow.

How does it feel to be forgotten by the world? A powerful collective cry denouncing the crimes of the military dictatorship installed in Myanmar after the coup perpetrated on February 1, 2021: cinema and imagination against horror and in defense of freedom.

Three young people look back on their plague past and the dark valley in which they ended up. They dare to talk openly about how they found the resilience to turn their lives around.

Young people who have to survive without a home base are helped on their way to a life on their own two feet at Wonen Met Kansen. Little by little, with trial and error, but with the rock-solid confidence that the supervisors have in them.

Maryana came to the conclusion that she no longer wanted to live because the bullying became unbearable. Based on stories from her family, teachers, friends and classmates, we get an idea of ​​who Maryana was and what kept her busy. All relatives have the same message: let's learn from this and ensure that this does not happen again in the future.

Janneke has been working as a volunteer in palliative terminal care for over twenty years, both in the hospice and in people's homes. In The Night Watchman we see Janneke both in her daily life and while waking. Scenes in which surprising parallels and paradoxes show Janneke's position in her life and how they seem to embrace death at first sight.

This moving documentary tells the story of Daan, a cheerful and talented boy who left life at the age of sixteen after a school career in which he was systematically excluded. Former classmates organize a reunion to investigate how things got to this point. They discover that many other students also felt unsafe in the classroom. Meanwhile, Daan's sister Julia, who, like Daan, loves theater, is working on her self-confidence. And Daan's group of friends, where he could finally be himself, looks back on the time they spent with him.

In this debut film, shaped as an absurdist mockumentary, Yara’s obsession with the famous stage and movie actor Maarten Heijmans takes serious forms. She is disappointed in her life as a grown-up and hopes to be seen and recognised by someone who is more successful, attractive and charismatic than she is. If he reciprocated her love, this would solve all her problems, she believes. But how will he react to her ultimate attempt to get in touch with him? And what does Heijmans think of the filmmakers who follow her in the process?

From schools and offices to hospitals and streets, cleaners are working everywhere, tirelessly and modestly. They work hard and keep society running. Invisible confronts viewers with their own involvement and reveals the price paid for the appearances we cherish.

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.

In this tragicomedy, three adult sisters and their brother come to the farm of their estranged, deceased mother to divide the inheritance. To their surprise, that includes a flock of sheep. The sisters and brother have drifted apart but it turns out that too is part of their mother's legacy.

Shadow Game is an experimentally filmed account of the far-reaching consequences of European asylum policy. Now fences have gone up all over Europe, seeking asylum has become almost impossible. The teenagers cross snowy landscapes and meet aggressive border police on their way. Reaching their final destination has become more difficult than ever. Their journey takes them through the whole of Europe: from Greece to North Macedonia, Serbia and Bosnia and Herzegovina, from Italy to France and The Netherlands. The film was shot over a period of three years, partly by the main characters themselves on their phones.

Kees suffers from Parkinson's disease. This puts pressure on his relationship with his beloved Carmen. If a cure is not forthcoming, an almost inhuman, devilish dilemma presents itself.

Frans Bromet ends up in the Reade rehabilitation clinic in Amsterdam after a brain haemorrhage. He soon picks up his camera and films his roommates and healthcare staff. Frans discovers how important intensive guidance is. But the bond with his fellow sufferers is also greater than expected. When he hears of upcoming budget cuts, his concerns grow about the future of the institution and therefore also about the rehabilitation process of the clients.