A Mermaid in Paris 2020
A man rescues a mermaid in Paris and slowly falls in love with her.
A man rescues a mermaid in Paris and slowly falls in love with her.
Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.
In Stip, a small town in Macedonia, every January the local priest throws a wooden cross into the river and hundreds of men dive after it. Good fortune and prosperity are guaranteed to the man who retrieves it. This time, Petrunya dives into the water on a whim and manages to grab the cross before the others. Her competitors are furious - how dare a woman take part in their ritual? All hell breaks loose, but Petrunya holds her ground. She won her cross and will not give it up.
Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother's flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.
Among the guests who come to the mansion of aristocratic landowner Nikolai over Christmas are a politician, a young countess, and a general with his wife. They dine and discuss topics such as progress and morality. As the debate becomes more heated, cultural differences become increasingly apparent.
After ten years in Germany, Armin returns to Bosnia. He just got married and wants to surprise his father, but he is not home. Neighbours say that he has been arrested, nobody knows why. The papers say that he is a suspect for the war crime back in the 90s. Armin wants to learn the truth and the neighbourhood to celebrate May Labor Day.
Asja, a 45-year-old single woman living in Sarajevo, meets Zoran, a 46-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.
A promising debut feature tells the story of a young woman returning from America to discover the realities of life in Macedonia, that looks as if it will explode with all the soldiers, corrupt crooks and terrorist idealists.
After her son's tragic death, Helena abducts her employee, Lucian, and travels with him and her husband to scatter her son's ashes in Macedonia. Meanwhile, Lucian's lover struggles to provide for their son and break free from her dictatorial father.
What would you do if you had 21 days left to live? What do you think you could do? This is a daring film, disturbingly honest, with a chilling melancholy to it, almost uncomfortable to view. Audacious, impulsive, and courageous, the filmmaker stands naked, laying it all out. Do we dare to look? Do you dare to listen when one addresses you so daringly?
On the day before Easter 2012, the bodies of four teenagers were found by the edge of a lake just outside Skopje. The bodies had been lined up, each with a bullet hole in their head. The boys had been on a fishing trip. The nation was shocked. Rumours run wild. It is a film about a country where life can come to a sudden end without cause or explanation.
Half-sisters from a small coastal town who were never that close are forced by circumstance to share a flat in Ljubljana.
Rapace will play the legendary Catholic saint in the biopic Mother, which will follow seven consecutive days at a pivotal moment in Mother Teresa’s life, the period where she decides to leave the Loreto Entally convent in Calcutta and launch her own order.
Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.
There is a myth of a bus that traveled every day from Skopje, Macedonia to Belgrade, Yugoslavia during the NATO bombing in 1999. A similar bus is depicted in Veta. There are no specifics to the story. It is the creator's response to the horrors that have haunted the Balkans for the past ten years. The film does not offer an answer or take sides, it concentrates on the psychology of war and feeling of no exit.
Alerik, a dreamy 16-year-old boy, lives with his grandfather in a country that is at war. When the old man is killed in a bomb attack, Alerik becomes obsessed by the wish to take revenge. From now on, the war has him firmly in its clutches.