Dreamland

Dawn Davenport progresses from a teenage nightmare hell-bent on getting cha-cha heels for Christmas to a fame monster whose egomaniacal impulses land her in the electric chair.

After killing her husband, Peggy Gravel and her murderous maid Grizelda, wind up in the crazy town of Mortville, where Queen Carlotta presides over a sleazy collection of misfits.

A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of the Virgin Mary, strange chicken-foot grafting operations).

This improvised film is based on the true-life suicide of TV personality Art Linkletter's daughter, Diane. Mr. and Mrs. Linkletter fret about their daughter's recent behaviour, which includes taking drugs and dating a lowlife named Jim. Eventually, the parents confront Diane… with tragic consequences.

Shot on 8mm, and featuring the introduction of Divine, John Waters' sophomore film is a plotless collage of random incidents involving sex, drugs, religion and The Wizard of Oz, it was shown with an equally random soundtrack mixing “obnoxious radio advertisements, rock 'n' roll and press conferences with Lee Harvey Oswald's mother”. It was shown three times publicly, but never released commercially.

The story of the Cacophony Society. This documentary follows their evolution from the San Francisco Suicide Club - 1977, the exploits of SF Cacophony, their nexus creating the Burning Man Festival, to the irreverent Los Angeles Cacophony and beyond. This is the history of the most significant American underground cultural movement of our time! 'The Cacophony Society is, 'a randomly gathered network of free spirits engaged in the pursuit of experiences beyond the mainstream.' The credo is 'You May Already be a Member!' It's a non-religious, non-political, non-commercial disorganization of Dada klowns rewiring the neuro-circuits of humanity. The heart of Cacophony is deeply routed in kitsch, weird and nihilism.. It's subversion by way of absurdist pranks and fire!

John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never shown commercially.