Swedish thriller based on Stieg Larsson's novel about a male journalist and a young female hacker. In the opening of the movie, Mikael Blomkvist, a middle-aged publisher for the magazine Millennium, loses a libel case brought by corrupt Swedish industrialist Hans-Erik Wennerström. Nevertheless, he is hired by Henrik Vanger in order to solve a cold case, the disappearance of Vanger's niece
The story of two sisters on a journey, where they try to get close to each other and approach the tough questions in life. Euphoria is a contemporary drama about responsibility and reconciliation, in a world where these concepts are gradually being lost.
Mikael Blomkvist, publisher of Millennium magazine, has made his living exposing the crooked and corrupt practices of establishment Swedish figures. So when a young journalist approaches him with a meticulously researched thesis about sex trafficking in Sweden and those in high office who abuse underage girls, Blomkvist immediately throws himself into the investigation.
A ship carrying settlers to a new home on Mars after Earth is rendered uninhabitable is knocked off-course, causing the passengers to consider their place in the universe.
It's 1975, and Martin is a teenager looking to break out of a stifling home environment ruled by his alcoholic father and long-suffering mother. When Martin's pal Micke suggests they get jobs together as waiters at a resort off the Swedish coast, Martin is all for it, but before long Micke finds better things to do and Martin is left on his own. The presence of pretty fellow server Jenny is a major consolation, but to his surprise, guileless Martin is soon chosen as the protégé of Gösta, the resort's short-tempered manager. Gösta clearly likes Martin and makes him his right hand man, which gives Martin a crash course in the seedy side of life when he discovers Gösta has a number of other business interests, not all of which are legal or ethical.
In a remote village in Costa Rica, Clara, a withdrawn 40-year-old woman, experiences a sexual and mystical awakening as she begins a journey to free herself from the repressive religious and social conventions which have dominated her life.
A trip to Croatia to celebrate Inger's 60th birthday. The whole thing sounded like a great idea until Inger caught her husband having an affair. When the plane takes off for Split the depressed Inger and her two daughters, much too sensible Malin (35) and chaotic Tove (32) are on board. Tove has to struggle to be included in Inger and Malin's circle, the sister's rivalry over their mother is so strong it quickly escalates into a competition of who can comfort Inger the best.
A comedy about the new alternative family and how different family situations and relationships come to a head during the premier family weekend.
An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.
John and Ninni – both heirs to their own individual amusement parks – fall in love amidst the whirling world they both inhabit. A forbidden love and a war between their two families puts their love and loyalty to the test.
A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.
Ronnie Peterson nicknamed “Superswede” was the fastest formula 1-driver in the 70s who never became a world champion.
Two homeless Kurdish brothers see Superman in the town's first movie theatre and decide they are going to live with him in the US. It's a long, dangerous road in the hands of ruthless human smugglers.
Single mother Lotta and her younger sister Sanna are both successful in their different jobs, and are living very different lives, but are attracted to men who are their opposites.
Marianne, 44, has been living with the lawyer Gustaf in a conventional sexless marriage for way too long. She wants a separation, but Gustav settles for a trial separation. As Marianne indulges in being newly single, Gustaf is perplexed by the sudden turn of events and in his confusion makes a completely irrational career change: he quits his job to start writing poetry. Meanwhile, Marianne meets the artist Rodolfo, the complete opposite of Gustaf; intriguing, emotional, impulsive. And horny.
A dead body is found, and police detective Mårten Späck draws the conclusion that a serial suicide killer is at large. Späck with his colleagues Grünvald Karlsson and Irene Snusk suspect a gang who distributes pirated DVDs of 'bottom-of-the-barrel' Swedish movies.
Mika and Tesfay. She: a photographer. He: a musician. Both up-and-coming. The first love. But an invisible conflict, an unnamable shame, stirs between their sheets. An insidious power game is in play, with its rules changing like music beats at the parties in Gothenburg, Stockholm and Ibiza. Behind closed doors and beautifying filters lies a raw reality where Mika’s control over her mind and body is at stake. But Mika rips apart relationship prejudices and explores what really makes our pulses quicken in matters of the modern heart.
A wild bachelor party and an agonizing defeat in floorball awakens Fredrik's passion for male synchronized swimming.
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 16-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is at change.
In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.
