Royal College of Art

Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground, far away where they sell the ice they produce daily.

Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolini’s own poetry, as read by Jarman.

A film commissioned and conceived by the artist Eduardo Paolozzi using drawings and photocopies provided by him. A non-narrative film focusing on Paolozzi's themes about modern man.

In this short film written and directed by Alexis Bisticas, the audience sees through the eyes of a man in the woods, following the distant sound of a saxophone. In a single take, the fluid steadicam shot takes the viewer on a surreal and poetic journey, as the walker comes across everything from family picnics to men in bondage suits.

A boy plants a microphone in the sitting-room so that he can listen to his parents after going to bed at night.

Moments of lost self-control.

At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director behind the camera, seems to instruct the objects.

A young boy and his father live in a dull, lonely house with the shadow of mourning hanging over them both. The boy misses his mother but gets no comfort from his father's assertions that she went peacefully. This tragedy is added to by the family dog which is looking increasingly unhealthy.

Mass: abstract gravity. Experimental art film created with partially lit paper relief.

If you repeat the word 'fly' for long enough it sounds like you are saying 'life'. This is of no help to Peter. His answers lie in the brain of the beetle.

The fear of being overwhelmed by the outside world can literally make you lose your head.

After a woman is responsible for a hit and run, spooky things starts to happen to her. A small thriller about people that are not always the best at making decisions.

Three teens face their inner wildness on a dreamlike journey when they decide to peek under the hair of God.

Alternating Super-8, digital footage and the correspondence with her brother, the filmmaker evokes their deceased mother and the Portuguese revolution, which she only gets to know through these diffracted memories.

There are small people wearing hats who cannot avoid ridiculous situations happening in society

The classic Shakespeare play in a way you've never seen.

A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a thief and not to be trusted. Dumped in the desert, the thief covers his marking with a headscarf and goes to the nearest village where he is taken in by a trusting family in return for his work. However, has be actually changed or is he still the same thief at heart?

Victor is stuck in a low-budget airliner next to a shamelessly intrusive stranger. The crackling candy wrapper, the smacking of the lips, oh, he thinks, just give me a break. No, he doesn't want candy, thank you very much. Victor isn't hungry. But there's no escape, thirty-five thousand feet in the air. So, just keep breathing.

18 year old Em goes on a journey, with biscuits from her grandmother that she eats and shares with new friends. When down to her last biscuit, Em has to make a choice: eat it, or save it as a final link to her home.

The most important thing in a relationship is space.