Uzbekfilm

In this animated short based on a short story from Ray Bradbury, the viewer observes a computer-controlled house in the near future and learns of the fates of its occupants.

Shahjada Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here he falls in love with Sohani, who keeps a shop in metal pots. Ijjat Beg buys pot from her with whatever money he had and they were attracted to each other. Sohni dispensed with her servant and kept Ijjat Beg instead. This gave them more opportunity to meet. This was a scandal in the town and Sohni was perforce married to Rehaman who was slightly off his head. Sohni continued her meeting Ijjat Beg who went out fishing. When the atmosphere became to hot for them they jointly took a water grave for their love.

A story about the friendship between two young men, two soldiers - Arkady from Odessa and Sasha from Ural.

The movie is based on the story of Ali Baba and the Forty Thieves, from the One Thousand and One Nights or Arabian Tales. The role of Ali Baba is played by Dharmendra and Hema Malini play Morjina.

The movie tells the story of two filmmakers seeking talented people for acting in a musical entitled Maftuningman (Delighted by You). One of the filmmakers travels to different parts of the Uzbek SSR in search of potential actors. Wherever he goes he meets exceptionally talented people and hears about other gifted people in different parts of the country. The actors for the movie were in fact chosen in this way from different parts of Uzbekistan.

Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond.

This is a story about modern youth, about how young people enters the great beautiful world of complex human relations, how, when faced with different people and phenomena, boys and girls are convinced that good and bright are affirmed in life.

A Bolshevik army officer and Uzbek who has been nursed back to health by a young Uzbek woman to whom he is now married, gains responsibility for the local village in 1929. He is urged by comrades in Tashkent to have the local women drop their chadors and veils but he is also told that he should not force this on anyone. His wife declines to take off her veil, so a 14 year old girl steps forward to set the example, over the objections of the local Muslim clergy and most of the village men. After the girl is killed, and the commissar is shot, his wife takes him to the hills to nurse him back to health once again. She begs her husband to leave the village. Instead when he decides to return, she is pressured by her father to continue to wear the veil.

Trying to achieve reciprocity from the saleswoman, the store director blames her for the shortage, and then acts as a savior. As a result, she fell into severe depression, becoming disillusioned with people. But a little time will pass and she will meet a naval officer, with whom she will forget the nightmare.

A dying woman’s wish sends her son on a train journey from the steppes of Uzbekistan to the Russian hinterland in search of his father’s grave. Just as the traveler’s home city of Samarkand is situated on the border between East and West, Khamraev balances his film on the edge of two cultures, evoking the soul of Russia and the crumbling beauty of what was once the Silk Road.

A Russian peasant woman is captured by Nazis and sold into slavery in Germany. Shown in Cannes in 1946.

The Mischievous Boy — "Shum bola", a film on the eponymous story of Gafur Gulyam about the adventures of a little boy, whose restless character makes him different people and life situations.

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

The story of the pied piper, the German legend of the rat catcher of Hameln, retold as a punk invasion of a Polish small town.

Adaptation of three short stories by Ray Bradbury. An atmosphere of hostility forms inside an unnamed city, and the citizens are unsettled by the materialization of ghosts and the memories of their loved ones.

About the formation of Soviet power in Uzbekistan, the fight against the “Kokand Autonomy” and the Basmachi.

The film is dedicated to the philosopher, doctor, scientist of the East and poet Abu-Ali Ibn-Sin, who lived in Bukhara in the 10th century and was known in Europe under the name of Avicenna. Bukhara. Eighteen-year-old doctor Ibn Sina saves the emir from a fatal illness. Refusing gold and honors, the young man only asks for admission to the emir's book depository as a reward. The study of the works of ancient scientists, philosophers, doctors, observations of nature, numerous experiments increase the knowledge of Ibn Sipa. The treacherous attack on Bukhara by the troops of the ruler of Ghazna Mahmud, who devastated the city and set the world's greatest book depository on fire, forced Ibn-Sina to leave his homeland. After many years of wandering, he, together with his student and assistant Juzjani, comes to the capital of Khorezm, Gurganj, to declare war on the plague raging here...

Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left -- the seventh, and he must not miss his target!