Grad Zagreb

The story of an inter-generational conflict between two brothers of completely different political and secular views.

In the spring of 1992, multimedia artist Ivan Faktor travels from war-struck Osijek to Copenhagen. To inform Danes of the ongoing war, his team appears on Stop TV, the most important independent TV station in Denmark. Faktor films the entire trip, his travel companions, the TV appearance, conversations on art and war, friends they visit, meeting his wife and son, and their trip back.

Zoe, Goran’s youngest child, is celebrating her tenth birthday. While children, friends, and closest family members are gathering and the party is kicking off, Goran receives a phone call with news that could darken this happy and eagerly awaited celebration.

The crash of student strike, also the crash of "Croatian Spring" in December of 1971, causes a violent separation of its three participants: A member of student leaders Jakov, his brother Mislav and Jakov's girlfriend Suncana. Jakov escapes abroad, while Mislav and Suncana remain in Zagreb believing that nothing bad can happen to them. Meanwhile, Mislav is getting arrested and Suncana stays alone. 20 years later, Jakov returns from Australia looking for a new beginning. He stays at Mislav's who married a girl from a rich family, after being released from prison and became a dentist. Soon, the brothers discover that the scelator from the past were not buried after all. The case of Suncana Krizic, who got killed in 1972 under mysterious circumstances, becomes Jakov's obsession in finding the truth.

A fox hunter and a porcelain shopkeeper lady, the scientist brothers, a seal, a boy and a music box. Six characters in their rooms filled with traces of longing, separated by a vast and bleak landscape. Four stories on love, contemplation and (self)destruction.

During the 90's, Croatia suffered systematic destruction of its anti-fascist monuments. By combining the images of these impressive works of abstract sculpture with the potent nature surrounding them, Monument creates powerful visual metaphors.

In an underwater robotics test pool a machine infected by an unknown biological conglomerate conducts a fatal manoeuvre. The new compounds create their own forms, self-sustainable, self-forming and adaptable. An Anthropocene, a human product, has opened a possibility for the extension of the body without organs to host other forms of life, inhumanly wondrous and unpredictable.

After a long time, Ema returns to her native town as her father suddenly falls ill. Staying at her parents’ home, she is flooded by childhood memories, which lead us to conclude that there is a problem in the family relationships. The problem also hovers above Ema’s relationship with her sick father, as we see her uneased. However, when Ema stumbles upon a box full of snow globes at her family home, we learn that she was sexually abused by her father when she was little, and he gave her snow globes as a gift.