The Golem: How He Came Into the World

The Golem: How He Came Into the World 1920

7.00

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

1920

The Doll

The Doll 1919

7.40

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.

1919

The Oyster Princess

The Oyster Princess 1919

6.80

A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.

1919

Anna Boleyn

Anna Boleyn 1920

6.90

The story of the ill-fated second wife of the English king Henry VIII, whose marriage to the Henry led to momentous political and religious turmoil in England.

1920

I Don't Want to Be a Man

I Don't Want to Be a Man 1918

6.38

A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.

1918

The Wildcat

The Wildcat 1921

7.70

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.

1921

Where Is My Treasure?

Where Is My Treasure? 1916

6.30

Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.

1916

The Eyes of the Mummy

The Eyes of the Mummy 1918

5.40

Egyptians Radu and Ma milk British tourists out of their money by offering phony tours of a mummy's tomb-- Radu has the girl lend her eyes to the "mummy" from inside an empty sarcophagus. When adventurer Wendland comes to visit the tomb, Ma is rescued and falls in love with him, leaving Radu in the dust. Needless to say, her former employer / captor follows them abroad in order to exact his revenge.

1918

Carmen

Carmen 1918

5.60

The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.

1918

Sumurun

Sumurun 1920

6.00

The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.

1920

Madame DuBarry

Madame DuBarry 1919

6.40

The story of Madame du Barry, the mistress of Louis XV of France, and her loves in the time of the French revolution.

1919

The Merry Jail

The Merry Jail 1917

6.40

A neglected wife disguises herself in order to lure her wastrel husband into a compromising position.

1917

Vanina

Vanina 1922

5.20

Vanina loves rebel leader Octavio, who gets caught. He gets a pardon and marries Vanina. When he is captured again, Vanina helps him to escape prison. They are both caught, and after his execution she dies from grief.

1922

Little Angel

Little Angel 1914

5.90

Engelein is a comedy of deliberately mistaken identity. If Jesta, a 17-year-old, can play the part of a 12-year-old, her family will gain a large inheritance from a rich uncle from Chicago. Her unruly “play-acting” for the uncle is preceded by an earlier incident in the film that results in Jesta being evicted from her girl’s school. Wearing a long, woman’s skirt, she climbs up a ladder and onto a thatched roof. She reaches over the top of the wall to kiss her boyfriend, who appears from the other side. However, Jesta is caught by the headmistress, and her forced descent is precipitous. Pulled downward, she reveals a great deal of a black-stockinged leg. She looks distinctly sexual as she falls into the matrimonly arms of the law, whose duty is to enforce the rules of female decorum.

1914

Pinkus's Shoe Palace

Pinkus's Shoe Palace 1916

5.70

Sally Pinkus is an German-Jewish boy who takes a job as a shoe store clerk after being expelled from school for goofing around. Soon fired for trying to court the owner's daughter, Pinkus lands another job in a more 'upmarket' shoe salon, only to be fired again, before charming a rich benefactress to fund his ultimate dream: Pinkus' Shoe Palace.

1916

The Yellow Ticket

The Yellow Ticket 1918

5.60

"The Yellow Ticket" (aka "The Devil's Pawn") was directed by Vicor Janson and Eugen Illes as a German project shot partially in Warsaw. A story of a Jewish girl forced to hide her identity in order to attend medical school in St. Petersburg, the movie is a melodrama of multiple oppression. Lea, as played by Negri, is at a disadvantage as a woman, an orphan and a Jew -- and yet has immense persistence and an insatiable ambition of becoming a doctor. The film includes more than one plot twist (the final one further complicating the issue of Lea's identity), but it's first and foremost a testimony to a spirit impossible to suppress.

1918

The Suffragette

The Suffragette 1913

4.60

Nelly's mother is a suffragette and persuades her daughter to join the good cause. Placing a bomb under Lord William's chair love develops between the two.

1913

Gypsy Blood

Gypsy Blood 1911

1

Jonna cheats on her husband with a chauffeur and is discovered by her husband. After the divorce, she falls into a life of theft and poverty until her daughter helps her reconcile with her ex. This film is considered lost.

1911

Die Lieblingsfrau des Maharadscha

Die Lieblingsfrau des Maharadscha 1921

1

The Maharaja of Odhapur goes on a trip to Europe and meet the young dancer Ellen Esmond. In her London accommodation, the Savoy Hotel, the Indian prince can prove to be a gallant gentleman and protect Ellen from an intrusive theatrical agent. The Maharaja asks the artist to entertain his guests the following evening with her dancing skills, including England's representatives in India. The maharaja is thrilled with both the person Ellen and her dance performances. His brother Bhima, who was always in the shadow of the Maharajah, drinks excessively and also is also magically attracted to Ellen Esmond.

1921