Francesco Totti retraces his entire life while watching it on the silver screen together with the audience. Images and emotions flow among key moments of his career, scenes from his personal life and memories he has never shared before.
It’s 1965 and Lia, a spirited young woman living in a small Sicilian town, is initially attracted to Lorenzo, the son of the most prominent (and possibly Mafia-tied) local family. His possessiveness eventually repels her. But soon after, he appears with his cronies to kidnap, rape and force her into a shotgun marriage, all with the collusion of the town’s authorities. Lia and her family refuse to accept this barbaric ‘tradition’ and, despite the constant intimidation and violence, they take their fight for Lia’s rights to court.
The great theater director Federico Landi Porrini is looking for his Romeo and Juliet for the opera that should definitively consecrate his prestige and end his career. Vittoria stands out among the candidates, but she is excluded because of a shadow on her past. Determined to get a role in the play anyway, and with the complicity of her makeup artist friend, the young actress decides to try again under a false identity to prove all her talent. That's how she turns into Eight November, offers herself for the role of Romeo and gets the part. It does not seem so complicated for her to play someone else, both on stage and behind the scenes, even when her boyfriend is chosen to play the role of Mercutio. However, dressing as a man will allow her to discover a lot about herself, but more importantly about the people around her.
The 1980s, the Tuscan countryside. Two young lovers are driving east to enjoy the dawn but they end up at the scene of a crime and become the new target of the criminals
