A cabaret is used as a cover for drug trafficking, but the police are unable to uncover the means used to smuggle the opium. It turns out that one of the accomplices is repatriating the bodies of her compatriots who have died abroad and smuggling the drugs. A race is waged between the police and the culprits: the law triumphs.
Tania, an asylum patient, is under the doctor's care while suffering raging behavioral effects that follow the death of her exorcised mother.
Stefano Pelloni is an Italian highwaymen known as Il Passatore, loved by women but despised by lawmen. Together with his two man band he always manages to escape the law and head back to his woman, Mora, who would just as soon see him hanging up his pistols and going straight. But the police commissioner has had enough and begins to conceive of every possible means to catch Il Passatore red handed.
Dramatisation of the massacre which took place in Colombia in 1948, as a result of conflict between conservative and liberal forces, and concentrating on the character of a former cheesemonger-turned professional killer.
Two women, Léa and Clotilde, with two men, Ludovic and Papillon, form a nice quartet of crooks. Their targets: pharmacists, diamond dealers, and gogos of all kinds who respond to enticing classified ads. Business is booming, but the police are watching. Commissioner Masson will eventually arrest them, but, ironically, for a matter of which they are totally innocent.
