Malay Film Productions Ltd.

Three friends want to become warriors. Ramli, Aziz, and Sudin seek to learn Silat from an expert, Pendekar Mustar. Mustar's daughter, Ros, the village teacher, initially thinks they are crooks but soon realizes she is wrong and even falls for Ramli. The second installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they learn self-defense. Along the way, they discover their shared attraction to their teacher's daughter and their illiteracy.

Jobless and penniless, the happy-go-crazy trio Ramli, Aziz, and Sudin decide to try their luck as movie stars while navigating the daily challenges of living in a crowded boarding house. The studio manager promises them a break if they can prove their talent in a screen test, but their naivety and inexperience lead to hilarious results. With their ongoing antics, will fame in showbiz change them in any way? The fourth installment of the 'Bujang Lapok' series. This film chronicles the misadventures of the three bachelors as they embark on their quest for stardom. Along the way, they also contend with their eccentric neighbors and Ramli’s budding romance with one of them.

Tiga Abdul (The Three Abduls) is a 1964 Malaysian comedy film directed by and starring P. Ramlee. It tells the story of three brothers who are caught in a web of trickery set by the cunning Sadiq Segaraga who uses his three daughters to fleece the three brothers of all their wealth. The movie is a tribute to traditional folktales with a moral set into the story and is set a fictional middle eastern country named Isketambola, which is loosely based on Istanbul, Turkey.

Jamil, already married decided to get a second wife, Hasnah, without Latifah's permission. Latifah came to know about it went to his wedding ceremony and created a big chaos. Jamil ran away and stayed low key for few days in a hotel thinking of his next move. Just when everything was calm and smooth, Jamil met Rohani and it was love at first sight. Jamil decided to get married... again. Will love prevail?

The first of the four 'Bujang Lapok' ('Worn Out Bachelor') movies. This first one chronicles the loves and lives of three bachelors living in 1950s Singapore.

A deformed hunchback is given a second chance at life, but then he breaks the rules of his benefactor and is transformed into a horrific monster.

Hassan (P. Ramlee) is 10 when his father died. His mother had died when he was younger. His late father's boss feels sorry for Hassan and adopts him. However, Hassan's foster father's own child, Aziz (Jins Shamsudin) is jealous of Hassan and hates him. When both of them have fully grown up, Aziz and Buang (Salleh Kamil) always bully Hassan. At the same time, Salmah (Saadiah) has developed a crush towards Hassan, fuelling Aziz's fury. When the Second World War is approaching, the Royal Malay Regiment begins recruiting young soldiers.

The film's story revolves around the tragic love affair between Kassim Selamat, a poor musician, and Sabariah, the only daughter of a wealthy woman. The movie is notable in that the opening act starts out as a light-hearted romantic comedy, but at the 30 minute mark turns into a dramatic tragedy. Like a number of P. Ramlee's works, the film criticizes the unofficial caste system that separates the wealthy from the poor.

'Hantu Kubor' is the sequel to 'Hantu Jerangkong' (1957), and the story here continues from the earlier film. Following her extermination, Mak Hitam the witch comes back to life as a grave ghost haunting the village cemetery. She threatens to cause chaos if the newly-wed Musa does not comply with her demands. When Tok Penghulu (the village chief) and the villagers find themselves unable to match the supernatural prowess of Mak Hitam, they seek help from Tok Pawang (the shaman) who understands the genesis of Mak Hitam's occult power and knows a way to subdue her.

Raja Bersiong, the Fanged King, is a cannibal monarch in the Kedah epic literature Hikayat Merong Mahawangsa (HMM). A king with an intense appetite for human blood that over time he grew fangs and began attacking his own people to feast on them.

After meeting a fairy princess by a grand coincidence, the lives of two men have changed drastically. The hero has regained his youth while Toba has aged tremendously.

In Baghdad lived Ali Baba, the pauper, and his brother, the rich man Kassim Baba. Ali Baba earns his living by collecting firewood, but due to his working nature, he is not able to earn much, so he frequently asks his brother for help with money and food once in a while. His wealthy brother always looks down on him, saying that he lacks ambition to improve his life if he continues doing the same work. One day, while Ali Baba is collecting firewood near a cliff as always, he spots a group of thieves heading toward a nearby cave. The third installment of the 'Bujang Lapok' series based on the 1001 Arabian Nights tale of Ali Baba and the Forty Thieves. This film chronicles the adventures of Ali Baba with generous twists of Malay humor and general hilarity.

The story tells a tale of a God who lives in a kingdom among the clouds who is at war due to the kingdoms fighting over the ownership of his daughter. To settle the problem the God placed a spell on his daughter transforming her into a Pau fruit and to be thrown on earth. As it landed in the seas it was swept a shore and was found by the maids of a queen who ate the fruit. She was found to be pregnant not long afterwards.

Haji Bakhil, a miser, have two servants, Labu - the cook, and Labi - the driver. The two of them have secret admiration for Haji Bakhil's beautiful daughter, Manisah. After a hard day's work, Labu and Labi started talking about their girlfriend not knowing that they both admire the same women. During bedtime, they lamented to each other about their life being poor and wondered what would happen if they were rich and famous. Labu pretended that he was a doctor and Labi a magistrate judge

The story tells us about a young prince called Suria Kencana who was cursed and turned into a cobra by his step mother. As a result, he became snake by day and human by night. The magic spell can only be broken by a necklace, Panca Delima, that is worn by a kind hearted girl called Teratai. Teratai has two other evil and greedy sisters. One of them got herself killed when she was too greedy in plucking the gold leaf from the magic tree. The other was envious when Suria Kencana fell for Teratai. She stole the magic necklace and allied herself with Suria's step mother, hoping to get a big reward from her. Did Teratai and Suria managed to break the curse?

A GoGo 67 is an alluring snapshot of the Beatles-influenced “Pop Yeh Yeh” movement that was exploding throughout Malaysia back in the 60s. Fauziah works days as a shop girl while Joe labors at a stable. When night time comes, the two would dedicate their time practicing with their beat band, Dendang PerinduThis is an activity that Fauziah must keep secret from her father (Ahmad Nisfu), a blustering martinet who loudly objects to the youth music of today with all of its “yeah yeah yeah”-ing.

Fauziah is the daughter of a poor itinerant food vendor whose brother has forsaken them for a life of luxury. On a particularly stormy night, Fauziah’s already frail father is hit by a car during his return home. The driver Yazid is a young kind man who takes to caring after Fauziah and eventually marries her. In Darah Muda, Fauziah is the epitome of a virtuous woman during its time – extremely reserved, pious, a faithful wife and a nurturing mother

Set during the Sultan Era. Megat Terawis and Megat Sari are the two sons of Paduka Haji, a commoner, who's wife, Princess Kamariah is the younger sister of the Sultan of the country. Although, the Sultan had consented to the marriage, his younger brother Tengku Long who is the Prime Minister, resents their sister being married to a commoner and has nudged a secret grudge against Paduka Haji ever since.

Hassan is a sailor that left his pregnant wife, Rubiah, to go sailing. He thought Rubiah died in a fire when their home catch fire. But in reality Rubiah is taken to Pulau Pinang to continue her life.

Based on a bangsawan story by stage veteran M. Babjan, ‘Mas Merah’ concerns the titular character who is daughter to a family with two feuding wives. Her mother is Mak Merah, who shares a husband (Pak Sagai) with Mak Gelam. Unfortunately, the pair of mothers are not on good terms with each other, often resorting to verbal abuse and catfights to settle their differences. The animosity and resentment get so far as to incite Mak Gelam to injure and kill Mak Merah. After her mother’s death and accusations of impropriety against her, Mas Merah is forced to leave her family and kampong to seek refuge in the wilderness. There, she meets Awang Sulong, a prince who is born and raised in the forest as a consequence of the king’s blind belief in the slander of his mother Puteri Mayang Mengurai. Together, they seek to do good and reverse the atmosphere of lies and betrayals clouding the kampong and the royal court.