Pierre, the maitre d' at the swanky Ritz Hotel in Paris, discovers that he has a son from his former marriage, which was broken up by his wealthy wife's upper-class relatives. His son, now a young man and unaware that Pierre is is father, is in danger of becoming the victim of blackmailer Mae Morin. Pierre sets out to save him from the notorious Mae.
A disgruntled 18th century Bostonian who while wishing that he was a pirate, dons the clothes and play-acts the part. He is mistaken for the real pirate, Dixie Bull. More importantly, Errol "slays" the villain and puts his foot upon the pirate's head. This is more than enough and he heads back home to his unappreciated wife
Laconic cowboy Maverick Brander just happens to be a very wealthy rancher, but the money doesn't really mean that much to him. The same can't be said for his social-climbing wife and his man-crazy daughter Bossy. His wife, with the help of some political bosses, helps Maverick get elected to Congress, where he manages to get in all sorts of trouble, including getting blackmailed by opponents of a bill he's trying to get passed.
Inez Laranotta is an actress who is notorious for her vamp roles and for the wild parties she attends. But images are deceiving -- the parties (and police raids) are staged by Inez's press agent, and she is actually very devoted to her innocent younger sister, Fay Bartholdi.
Ponjola is a 1923 American silent drama film based on the novel of the same name by Cynthia Stockley and directed by Donald Crisp. The film stars Anna Q. Nilsson in a role in which she masquerades as a man. A print of Ponjola still exists and is held by a private collector.
A man kills a man he finds alone with his wife. Although she is innocent of any wrong doing the wife claims to be guilty of having an affair to save her husband from a death sentence. Unfortunately, the husband also believes her guilt and so he runs off to Africa to forget and assumes a new identity.
The daughter of straitlaced parents, Bessie Bowden is attracted to the social life of the fast set and finds Austin Trull, lounge lizard and sometime artist, more interesting than hard-working John Hargraves. Mr. Bowden and John try to compete with Bessie's new friends and spend all the family savings on making the Bowden home appear wealthy and a part of the social whirl. Bessie and Geraldine Horton finally catch Trull at his double-dealing, and Bessie wisely returns to home and Hargraves.
