Potterton Productions

The embodiment of ultimate evil, a glowing orb terrorizes a young girl with bizarre stories of dark fantasy, eroticism and horror.

In Montréal, Jean-Pierre is fired on the set of a TV commercial where he's an apprentice technician. He's penniless, behind on his rent, with a thin resume and no college units. He has a fiancée, Michelle, but his head is turned by a free-spirited model, from the U.S., who saw him being fired and comes to his flat to apologize. She's Elizabeth, a combination of feckless innocence and sexual freedom. Jean-Pierre borrows money from his outlaw friend, Dock, and buys clothes to impress Elizabeth. Soon he's sleeping with her, and he pulls a theft with Dock to get money to take her to Acapulco. Michelle tries to bring him back to her orbit. Is there a way out for Jean-Pierre?

A giant builds a wall to keep children out of his garden, but then winter sets in permanently. Children's classic story by Oscar Wilde.

An animated version of the Oscar Wilde story about a conceited firework rocket, whose pride hides his downfall in the world.

Struggling to subsist on negligible and infrequent gold discoveries, prospector Ralph Logan crosses paths with Mazella, a New York City drifter with a three-wheel motorcycle and plenty of time on his hands. After introducing his new acquaintance to the practical but volatile Gladys, Logan suggests the trio join forces for a mission deep into the mountains of British Columbia in search of his father's elusive stash of gold.

A royal statue makes friends with a small swallow.

Canadian filmmaker Gerald Potterton utilizes extensive footage from the Soviet adventure film Dr. Abolit in his Tiki Tiki. Abolit boards a rocket with two monkeys and blasts off into space, bent on rescuing a group of monkey kids from extraterrestrial bandits. Framing the live-action storyline are a few animated cartoon sequences involving the efforts of a producer to sell his concept to an apelike movie mogul. This device works as effectively here as it did thirty years earlier in W.C. Fields' Never Give a Sucker an Even Break. As a payoff, the studio boss is revealed to be King Kong, who sees a lot of potential in a story about heroic simians. (allmovie.com)