Dominic’s fetish is… himself. Nothing turns him on more than his own reflection. That’s why discovering that he has a twin brother, raised in a remote monastery by a depraved priest, causes him major consternation. Fate brings the two young men back together again, and their fraternal relationship is torn between sex, revenge and redemption.
It's not easy being a teenager and Mike, a sixteen-year-old, has it espcially hard. He lives in the sticks with his mother, a non-stop nagger, in Faintville, a Canadian timber industry town. He has no father, no friends, not even a favorite meal. Basically, his sole wish is simply to vanish from the face of the earth. One day, Mike writes his own obituary and shoots himself. To his great disappointment he wakes up the in the local hospital. During a routine examination, the doctors discover a plum-sized tumor in his brain. Mike can scarcely believe his luck and keeps the illness to himself to avoid undergoing surgery that would save him. Staring death directly in the eyes, however, changes Mike's point of view and he re-evaluates his opinion of both enchanting and crazy Miranda. Somebody seems to understand him after all.
After the mysterious death of their infamous director, members of a formerly renowned theatre company reunite for his wake. The grieving widow welcomes the thespians to her country house, but the drama intensifies when old rivalries and jealousies erupt, exposing a myriad of secrets and lies.
Tunisia, before the revolution. A man on a motorbike, razor blade in hand, prowls the streets of Tunis slashing women's buttocks. They call him The Challat, aka "The Blade", and the mere mention of his name provokes fascination and terror. Is he a lone criminal, an urban legend, or could he be the creation of a political group or religious fanatics? 10 years later, in the aftermath of the Arab Spring, a stubborn young female director sets out on an investigation to unravel the mystery and discover the true Challat of Tunis...
An immigrant boy faces difficulty growing up in Toronto's apartment slums.
In March 2012, Syrian migrants began flooding many parts of the world, including the impoverished Bekaa Valley in Lebanon, searching for work and a temporary respite from the beginnings of civil unrest. Ten years and over six million refugees later, the ongoing displacement of Syrians remains the largest human-forced migration crisis of our times. Shot over an unparalleled decade, Lebanese-Syrian director Noura Kevorkian follows the plight of Maria and her community of Syrian migrant workers who, after toiling for decades in Lebanon's fertile Bekaa Valley, find themselves unable to return to their hometown of Raqqa, Syria. Unique among the numerous refugee stories to date, Batata showcases Kevorkian's keen eye and unrelenting commitment, capturing an entire decade of marriages, births and deaths. What is documented is not just the age-old conflict between Syria and Lebanon, but more importantly, the unbending spirit of a woman who puts family and community ahead of all else.
American resort developers bear down on the wild west coast of Nicaragua, hoping to build the next tourist paradise. With lax labour and environmental regulations, some of the developers take full advantage of the situation, and the local fishermen start accusing them of exploitation and land thievery. Unexpectedly, in the midst of this conflict, firebrand Daniel Ortega and the Sandinistas sweep back into government, boldly empowering the local fishermen. The tables turn viciously on the American developers, who get much more than they bargained for. But when the local fishermen, corrupted by new found power, begin acting in the same manner as the American developers, questions are posed about human nature, morality, and ethics on a much larger scale.
