Palabra clave Modernism

Documental sobre el diseño gráfico, la tipografía y en general sobre la cultura visual. La película se centra en la popular fuente tipográfica helvética, que en el año 2007 hizo su 50º aniversario, e incluye entrevistas con los mejores nombres del mundo del diseño como Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf, Neville Brody, Stefan Sagmeister, Michael Bierut, David Carson, Paula Scher, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset, Michael C. Place, Norm, Alfred Hoffmann, Mike Parker, Bruno Steinert, Otmar Hoefer, Leslie Savan, Rick Poynor, y Lars Müller. (FILMAFFINITY)

Agnes (Katherine Hepburn) y Tobias (Paul Scofield) son un matrimonio de mediana edad cuya vida se verá alterada por los problemas de amigos y familiares. Sus mejores amigos, Harry (Joseph Cotten) y Edna (Betsy Blair), perturbados por un temor desconocido, se refugian en su casa. Pero eso no es todo: está a punto de volver su hija Julia (Lee Remick) tras el fracaso de su cuarto matrimonio. Y, por otra parte, está Claire (Kate Raid), la omnipresente y alcohólica hermana de Agnes.

Documentary series "Slumbering Concrete" erects its narrative around modern architecture in Croatia and regions of the former Yugoslavia - an area distinguished by large number of vacated and ruinous buildings from 20th century that are of immense architectural significance. The series is composed of 4 thematic chapters, of which the first is dedicated to architecture of tourism purposes, second to monuments and commemorative buildings, third to post-industrial and post-military landscapes and fourth to great ambitions of unfinished modernizations.

A look at the aesthetics of our suburbs. Tim Ross – comedian, broadcaster and aficionado of the Modernist era – is tour guide for this very personal journey exploring how and why our suburbs look the way they do. Travelling the country gaining unprecedented access to some of our most epic homes, meeting their owners, peeling back their history and revelling in their beauty Tim poses the question: from Modernism to McMansionism – how did we get here?