With a Right to Kill 2003
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it?
In Ulan Bator, Mongolia, the cur Baatar is shot by a hunter hired by the authorities to get rid off the dogs in the city...
Behind the success of Hariton Pushwagner we find a dramatic story about a son of a wealthy family who became homeless, only to end up as a celebrated artist. Pushwagner himself says, "It's not true but it's a good story". Against this backdrop, the film reflects on what the reality of Pushwagner is, both as an artist and a human being.
The teenage girl Vera left her family after an incident at home, and is now living with a middle-aged drug addict, Morgan, who is using her as a prostitute to get money for drugs and debts. Meanwhile, the rest of her family is falling apart, and her father, Mats, is trying to figure out how to get her back before it's too late.
Gustav and Oskar are twins. Oskar has Achondroplasia, a common form of dwarfism. Both have blue eyes and blonde hair.
Daddy is not paying attention, and Marie decides to do something about it.
40 people meet. 20 pairs. Each pair is a total of 100 years old. A one-year-old and a ninety-nine-year-old; a two-year-old and a ninety-eight-year-old; and so on and so forth. 2000 years of life.
Katja aged 16 and Cathrine aged 8 both have a unique relationship to music, to nature and to sensation in general. Katja and Cathrine are blind, but the girls have developed their other senses and use them much more keenly than most people around them. The director, Erlend E. Mo, depicts the two girls; interpreting their sense-based, subjective experience of the world, which is as rich as a world observed by a seeing person, just different. The film represents the intimacy and intensity of the girls' environment in few words, and in doing so allows the viewer to partake in a poetic subjective experience and perceive an old world afresh.