Robert, a jaded middle-aged New Yorker, travels to Belgrade to make some quick cash by marrying someone for U.S. immigration papers. The plan goes awry when the money never arrives, leaving Robert stuck in Serbia. Meanwhile in New York, Banko, the young Serb whose girlfriend Robert is to marry, fights to come up with the cash.
THE INVISIBLE STRING tells the fascinating love story between human beings and flying plastic. The documentary takes the audience on a trip from the very beginning of pie pin tossing at the Frisbie's Pie bakery in Connecticut back at the turn of the century to the Rose Bowl World Championships in the late 1970s up to the hottest spots of today. It's a journey into the heart and mind of the people that started it all by inventing games, skills, and creating a global family. Rare archive footage of the 1970s and 1980s, when playing Frisbee grew to become a major alternative sport just as popular as skateboarding or surfing, alters with Monty Pythonesque animations on the joy of throwing flying objects. The most influential people give their personal accounts as remarkable stories are told revolving around living with flying discs.
Berlin, Prenzlauer Berg. Attila the fireman can eat glass – but this doesn’t help his love life. His girlfriend, Sabine, breaks up with him. She wants more from life. It’s her dream to be a talk show host – and there’s no place for Attila in her career plan. Despite being a talk show host, Erika is unhappy. She can no longer connect with her husband Ulf, who is reliving his youth and making use of his psychological prowess to conquer female hearts. Their pubescent son Niko avoids both parents as he makes his own way through life, propelled by his sex drive. When the next guest on Erika’s show – a TV junkie and shy bakerwoman called Rosine – cancels at short notice, Erika has to find a new candidate. She discovers Attila in the house next door.
Germany, late 90s: Johanna is an intern at a local newspaper and is struggling with the death of her grandmother. In addition to her grief, she is burdened by conflict with her family after she angrily confronts her uncle, who is only interested in his inheritance, at the funeral. She seeks balance by throwing herself headlong into her work. In the process, she comes across an old photograph of a concentration camp guard named Anneliese Deckert. With this find, she hopes to advance her journalistic career: Johanna tracks down the now 80-year-old, but does not expect to meet her entire family on the spot, nor does she expect the fuss the photo causes.
