Koyomi Hidaka and Shiori Sato meet at his father’s research center and begin to fall in love, but so do their parents, who eventually marry. To avoid becoming stepsiblings, they decide to run away to a parallel universe. Traveling between dimensions is common in their world, but not without repercussions. Does a universe exist for the young couple, and what will it cost them to find it?
While struggling to make friends after his parents’ divorce, Koyomi Takasaki meets Kazune Takigawa, but apparently, they already have. Kazune reveals that she’s from World Line 85, an alternate universe in which she and Koyomi are lovers. But in a reality where moving between dimensions is natural, could Koyomi be the one from another world?
Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
One day, Haru (25), who works as a bookstore clerk, reunites with Takeshi (45), whom she first met a few years prior, when she stopped him from jumping in front of a train. Takeshi offers Haru a job. Another day, Haru is worried about Yukiko (40) who is sitting on a bench in front of the station, and talks to her. This leads them on a small journey together. Haru takes along a cassette tape and recorder left behind by her mother Taeko, who died of illness when Haru was in primary school. Haru again faces regrets of not being able to help Taeko, which she had held for a long time.
Scénarios, which was completed by Jean-Luc Godard the day before his self-death, is twofold: DNA, fundamental elements, and MRI, Odyssey. Between these two polarities, which evoke genesis and decline in a strictly materialistic way, a story unfolds, made up of a jumble of notes and images, condensed into 18 minutes. It is a narrative haunted by death, as this film is also a farewell.
