California Humanites

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

An intimate and kaleidoscopic voyage behind the closed doors of the Chinese birth tourism industry in the U.S.

In a universe where cool kids are nerds, the orchestra is world class and being Asian American is the norm, seniors at Lowell High School compete for the top prize: admission to the college of their dreams.

As a visibly disabled person, filmmaker Reid Davenport is often either the subject of an unwanted gaze — gawked at by strangers — or paradoxically rendered invisible, ignored or dismissed by society. The arrival of a circus tent just outside his apartment prompts him to consider the history and legacy of the freak show, in which individuals who were deemed atypical were put on display for the amusement and shock of a paying public. Contemplating how this relates to his own filmmaking practice, which explicitly foregrounds disability, Davenport sets out to make a film about how he sees the world from his wheelchair without having to be seen himself.

Filmed over three years, the film follows Ashley Chea, a Cambodian-American basketball phenom. Exploring the highs and lowsher immigrant family, surmounting racial and class differences, as well as personal trials that include a devastating knee injury. Despite the intensity of basketball recruiting, Ashley’s humor shines through and her natural talent inspires the support of those around her.

Donte Clark's poetic voice was honed on the violent street corners of a struggling city. Yet rather than succumb to the pressures of Richmond, CA, Clark uses his artistic perspective to help save his city from itself.

Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.

FOR OUR CHILDREN unites maternal voices of resilience and solidarity in a poignant cinematic journey. Directed, produced and co-written by Débora Souza Silva, this emotional documentary chronicles the powerful convergence of two mothers, Reverend Wanda Johnson and Angela Williams, whose lives were forever altered by the scourge of police brutality against their Black sons.

The Pushouts focuses on the alarming rate of high school dropouts and the critical state of public education through the story of Victor Rios. Rios was a gang member in West Oakland who was headed for a life of incarceration when he met an inspirational teacher. Now a professor at UC Santa Barbara, he and his mentor dedicate their lives to motivating young Mexican and African-American teens to realize their potential.