Krátký film Praha

While the humans are away, the shoes in a cobbler's workshop engage in a number of activities, including flirting, kidnapping and a gunfight.

Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.

A fictional story of Wolfgang Amadeus Mozart's stay in Prague. The film, in no case, claims any historical facts. It only tries to evoke the spirit of that time by connecting Mozart's music with the architecture of Prague and by pointing up the changes in Prague during Mozart's two-hundred absence in the Czech metropolis.

After two troubled but powerful men rape a young hitchhiker who happens to be a vet, she drugs them and removes their testicles.

When Winnie, who never reads, lifts off with a foxy stranger, sensible Harriet must use every ounce of energy and brain power to rescue her.

In this antological film, four fairy tales from the book by Jan Werich, each one by a different director. Břetislav Pojar directs the story of Thumbelina, Aurel Klimt "The Hunchbacks of Damascus", Vlasta Pospíšilová "Three Sisters and a Ring" and Jan Balej close the film with "The Sea, Uncle, Why is it Salty?".

School begins, and one day at a time, Emily and her new classmates learn new ideas, expand their world, and grow closer together.

Petr Vaclav's documentary Pani Le Murie (Madam Le Murie, 1993) depicts the last survivor of an aristocratic family who refused to bow to Communism.

Mozart's life was turbulent, even in Prague in 1787, when he was pressed for time to compose the overture to »Don Giovanni«.

A satiric film travesty of Shakespeare's dramas set in the year 2000. The protagonists are to convince the audience that human passions such as love, hatred, jealousy, etc. remain unchanged even 500 years later (paralleling the up-to-date quality of Shakespeare's dramas).

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.