Stone memory 1970
Iosif Demian returns forty years later to Rosia Montana, the place where two memorable films of the Romanian cinema have been shot: "Nunta de piatra" and "Duhul aurului" for which he signed the cinematography.
Iosif Demian returns forty years later to Rosia Montana, the place where two memorable films of the Romanian cinema have been shot: "Nunta de piatra" and "Duhul aurului" for which he signed the cinematography.
Security guard Aurel (Andi Vasluianu) and his wife Irene have a moderately happy marriage and a moderately comfortable lifestyle in urban Romania. Irene takes a working trip to Cairo and returns invigorated with the swell of success. She sets out again and never returns. What follows is both predictable and unpredictable. Aurel, and the audience, are suspicious of the official explanation of her death so the foundation is laid for the traditional who-dunnit. Aurel proceeds on an emotional search against all odds.
Founded by German ethnics, Lindenfeld has been a prosperous settlement. Today, there are only three inhabitants left with their hates and hopes.
Ștefan's 18th birthday presents are: a driving lesson, a bottle of vodka and an open-minded discussion about women, but an unexpected surprise turns around the anniversary.
Lucy Castle, a 26 years old English woman came to Romania – Hoteni from Maramureş -in order to prepare her PhD thesis in ethnographic music. She ended here by marrying a simple peasant: John Hotea (22 years old), an orphan with no education, and according to the local people that were disappointed by Lucy’s choice, a violent and alcoholic guy. Now the family Castle-Hotea lives in England. The local people say that this was what John was looking for, while Lucy wanted to establish her in the village for the rest of her life.
The memory of a tragedy of passion – a double murder that took place in a shepherd’s village 50 years ago – is preserved in the form of a ballad. The villagers recall the events and the musicians talk about the birth of this song that lacks the victim’s point of view, because the assassin is the one who commissioned them to compose this ballad.