Detective Baldassarre spends his forced exile sorting criminal records. He gets a chance to return to the line of fire when two people, an aristocrat and a worker are struck by lightning inside a fancy mansion. The incident would be relegated to freak accidents, but Baldassare's attention is drawn to the strangeness of the events and he begins to investigate.
When mobsters try to put an honest policeman on the payroll, he seeks revenge on the mob. But, he soon learns that his actions, however honest, have dire consequences.
Carlo Antonelli, an engineer from Genoa, gets mugged and decides to take justice into his own hands. At first the muggers seem to get the upper hand, but then he's helped by Tommy, a young robber who takes his side.
A drug deal goes bad and the heroin is stolen. One mob boss doesn't have his drugs and the other doesn't get his money. People are going to die until they discover who double-crossed them. Into this backdrop, Inspector Dario Mauri arrives from Milan to help clean-up Naples. His mission – find the drugs and stop the killing.
Inspector Betti (Maurizio Merli) is transferred to Naples and immediately after his arrival receives a warm welcome from The Commandante (Barry Sullivan), the city's crime lord. Betti then goes on a personal mission against corruption and organized crime, and tries to force the syndicate out of town with any means necessary.
A Milan pimp faces off against a ruthless and greedy French gangster whom wants to unite organized crime in Italy.
A tough, violent cop who doesn't mind bending the law goes after a machine-gun-carrying, hunchbacked psychotic killer.
A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
A man's daughter is killed by thieves during a bank robbery. Due to the incompetence of the corrupt authorities, he decides to take to law into his own hands and track down the killers.
An Ottawa police captain searches for the person who poisoned his sister, who was attending the university in Montreal. So desperate is he for revenge that he begin to use his own brutal methods to find the killer. Soon he discovers that not everything is what he thought it was.
Sadistic no-count killer Nanni Vitali and three other equally brutish hoodlums escape from prison. The foul foursome embark on a savage rape, murder, and robbery spree. Vitali even abducts and defiles frightened hapless lass Giuliana Caroli. Meanwhile, rugged police inspector Giulio Santini is determined to bag the despicable Vitali.
During an outbreak of violent murders in the area targeting young women, a journalist searching for a female friend gone missing ends up in a villa owned by an eccentric photographer.
When a crime boss sends out his thugs to terrorize an entire city, they do whatever they want, which includes anything from petty theft to robbing the police station in broad daylight. Napoli spara! (internationally released as Weapons of Death and Naples shoots) is a "poliziottesco" film directed by Mario Caiano in 1977. It is an unofficial sequel of Napoli violenta, of which reprises the character of Gennarino (still played by Massimo Deda).
By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.
Sandro, a detective, finds his wife strangled. His girl-friend Tiffany, who works as photographer, makes a "Blow up" from a photo, what Sandro finds beside the victim. Sandro and Tiffany are looking for the woman on the photo, Laura. They finds her in a Night Club in Rome...
Carlo, a young photographer, is making love with his girlfriend at the beach when he witnesses a murder being feebly staged to look like a car accident. Carlo takes incriminating shots of the murderers (the victim turns out to be the local public prosecutor) and attempts to sell them to various interested parties, including a gangster and a newspaper owner. One of the murderers' accomplices, a lowlife criminal, is gunned down by a black-gloved assassin, while another is stabbed to death...
A police captain arranges the release of a criminally insane prisoner, who soon winds up dead. When the District Attorney takes on the case, he uncovers corruption in the department and vows to take down the man who's responsible.
A detective sick and tired of the rampant crime and violence in his city, and constantly at odds with his superiors, is finally kicked out of the department for a "questionable" shooting of a vicious criminal. However, he is soon approached by a representative for a group of citizens who themselves are fed up with what they see as criminals going unpunished, and they make him an offer he may very well not refuse.
Carolina Miceli, widow of Salvatore Caruso, arrived at the bedside of the dying boss Gaetano Liguoro, tells how, discordant about drug trafficking, the brothers Gaetano and Tony Liguori have opened hostilities against his father Calogero Miceli, backed by politicians.
When a journalist is murdered Inspector Micheli begins to investigate. Although someone comes forward to confess to the crime, Micheli doesn't believe he acted alone and keeps investigating despite coming under pressure to close the case.
Anthology crime series penned by some of the foremost contemporary Italian noir writers (Camilleri, Faletti, De Cataldo, Carofiglio, Lucarelli, Fois...)
Il bene e il male is an Italian television series.
Qui squadra mobile is an Italian television series.
