A male corpse is discovered with a smashed face and burned hands. Strangely, the cause of death is determined to be strangulation. When Detective Kaoru Utsumi attempts to corroborate the victim’s ex-wife’s alibi she discovers the mysterious neighbor and only a few small clues to help her disprove a seemingly "airtight" alibi...
Masaharu Fukuyama reprises his role from 2008's "Suspect X," playing the physicist-cum-detective Manabu Yukawa. The scientist-sleuth arrives in an oceanside town to speak on a panel. But when a man turns up dead outside the inn where he's staying, Yukawa begins to unravel the connections that tie the victim to the activist daughter of the innkeepers, and a precocious boy who first appears on a train—and keeps popping up. It's a Sherlock Holmes mystery with an environmental twist, and one that should please fans of a classic whodunnit.
This is an episode of Galileo in name only, since this story focuses exclusively on Utsumi Koaru, played by Shibasaki Kou. The eccentric scientist makes a cameo appearance in one scene and the final scene is on the same day as episode one of the second series, but apart from that this drama has little to do with the rest of the Galileo canon.
Physicist Manabu Yukawa returns to Japan from America. Detective Kaoru Utsumi visits him and talks about a case. The case is about a popular girl in a town who disappeared and, several years later, her body was found. A suspect was arrested for her murder. That suspect was previously arrested for another girl's murder, but he was released due to a lack of evidence. Detective Shunpei Kusanagi investigated the prior murder case. The same suspect was then released due to a lack of evidence for the most recent murder case. The released man returned to his town, where everybody hated him. On the day of the autumn festival parade, the man was killed. Physicist Manabu Yukawa, Detective Kaoru Utsumi and Detective Shunpei Kusanagi work together on his case.
2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.
Salesman develops a fake stock plan in new invention before it is finished.
Two scientist sisters must destroy their top secret invention before the government can get their hands on it.
The life stories of history's greatest minds. From their days as young adults to their final years we see their discoveries, loves, relationships, causes, flaws and genius.
