In the 1980 French countryside, farmer Jojo and his ill-tempered wife Lulu hate each other, though their respective interests speak against divorce. The only thing that keeps the oppressed Jojo from murder is the threat of the guillotine...
A condemned murderer, in the process of being executed, relives the events that led to his being sentenced to die in the electric chair. Told in flashback, we witness a sleazy dancehall girl (Vivienne Osborne) dupe a high rise riveter (Edward G. Robinson) into marriage so she can live off of him. But when he loses his job and his marbles, she ends up supporting him with money from her side man--and misses no opportunity to rub it in his face that she's now supporting him in his emasculated state. As the animosity grows and things get more and more unbearable, he is eventually driven to desperate measures.
When an ex-dancer marries a man for his money she is surprised to find he is a real skinflint. She owes a lot of money to a loan-shark who is after her. However, her husband does carry a lot of life insurance.
A British physician stands trial for murdering his wife after he and his mistress are captured while fleeing to Canada.
Jued, a nightclub comedian, has a wife that's a bitch. Everyone he knows takes advantage of him and pushes him around. One day he finds and keeps a mysterious magical box. After that his life and relationships with everyone changes.
The events take place among the family members of Abu Khaled, where his wife Aisha was authoritarian and imposes her opinion on everyone, as well as she does not want his mother to interfere in their lives at all. The years pass and Abu Khaled's mother dies, and Aisha controls Khalid as she did with his father until the conditions changed when she fell ill.
The story revolves around the wood trader of the pilgrim (stranger) and his children, and he had an injured son as a result of a car accident. The father's treatment of this son differed from the rest of his brothers. The injured son married a woman, the wife was seeking to stop between the sons of the house and the brothers of her husband in order to control and control the house to become the lady of the house.
