Symbiopsychotaxiplasm: Take One

Symbiopsychotaxiplasm: Take One 1968

7.20

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

1968

Samudra

Samudra 2024

1

A man wanders an oceanic dreamscape in search of a woman from his past.

2024

Street Musique

Street Musique 1972

6.80

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

1972

UnAuthorized

UnAuthorized 2010

9.00

"Des-authorized" is the combination of three stories, three realities that coexist and feed. The journey begins in the imagination of Elia K, the principal, who imagines Elijah, a character who is a poor playwright facing the crossroads to be true to his art, or succumb to the pressures of the producers must decide his work between surrender or pay the price of his freedom. On another level, we have Nina and Frederick, the protagonists of the work that Elijah is writing. They only seek to love, they are forced to leave the paper and press the Elijah to them the end that his story deserves, this is the starting point of "Des-authorized" a film set in an imaginary city , colorful and delusional. In the line of "Amelie" and "Stranger Than Fiction", brings a reflection on art, creativity, love and heartbreak.

2010

The Light Penetrates the Dark

The Light Penetrates the Dark 1930

5.70

Zdenek Pešánek created the first public kinetic sculpture, for the power station in Prague. This short experimental film focuses on a kinetic sculpture by Zdenek Pešánek. For a period of eight years it issued beams of light from the outside wall of a transformer station at Prague’s power utility before its destruction in 1939. Though genuine, these shots seem abstract to us. They are a rhythmically assembled ode to the light-creating devices and phenomena of electricity. Light arcs, coils, bulbs and various luminous elements support the alternation of positive and negative film images, creating an impressive universe of light and shade. In the 1920s, Pešánek had obtained financial support for his work with electric kinetic light art. In the 1930s, he was the first sculptor to use neon lights. He built several kinetic light pianos, and published a book titled “Kinetismus” in 1941. —http://www.centerforvisualmusic.org

1930

Kosmos

Kosmos 2022

1

A constant journey from outer space to a town in Norway, where we encounter small pieces of people’s lives.

2022

A Journey

A Journey 2017

8.00

A cinematic journey through the world. Non-verbal.

2017

Alpenglow

Alpenglow 2022

9.00

Seven actors are brought to an isolated house where they must stay in character for three days under constant surveillance.

2022

Concatenation

Concatenation 2021

1

A destructive sequence with infinite consequences.

2021

Les Outils du Jeu

Les Outils du Jeu 2017

1

This non-narrative short film examines one of the great American icons: the Louisville Slugger baseball bat. The film was conceived by its co-directors, Marlon Johnson and Dennis Scholl, along with the Louisville Orchestra's conductor, Teddy Abrams, to be screened set to a live performance by the orchestra of Claude Debussy's "Jeux".

2017

Landscapes at the World's Ends

Landscapes at the World's Ends 2010

6.00

A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).

2010

Funeral Tape

Funeral Tape 1970

1

A man sifts through his dreams, dilemmas, memories, secrets and the poetics of love as he harbours his greatest desire, to simply die.

1970

Mágoa das Flores

Mágoa das Flores 2023

10.00

Experimental college short film. Two servants plan and execute the coronation of a delicate and machiavellian entity until sunset.

2023

midautumn

midautumn 2024

1

shot in melbourne, may 2024

2024

Threnody

Threnody 2020

1

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

2020

The Pillow

The Pillow 2024

1

A dare from Swedishllama (UrolithicOak)

2024

An Imperial Message

An Imperial Message 1975

1

An Imperial Message is a 1975 Hungarian experimental film directed by László Najmányi. The 'story' was based on Franz Kafka's short story Eine kaiserliche Botschaft.

1975