I Don't Believe in Anarchy 2014
The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.
The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.
Documentary about the band Zumbi do Mato, known in the underground musical scene of Rio de Janeiro for the humorous and surreal songs, written in a style of flow of conscience and full of scathing allusions to popular culture.
1993 recording of band Les Rallizes Dénudés performing at the Baus Theater.
PBS produced documentary in two parts: the first is dedicated to saxophonist and composer John Zorn; the second is about Sonic Youth at the height of their powers in 1988.
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
Blind Eye Sees All is a concert video by Butthole Surfers, which was released on VHS tape in 1985 through Touch and Go Video. The bulk of the video features performances from two concerts at Traxx in Detroit, MI in February and March, 1985, woven between rambling interviews with the band relaxing in bed. Also included is footage from an early concert of the band with a fully nude Gibby Haynes.
The Jesus Lizard blast through an incendiary set on New Year's Eve 1997 at the legendary CBGB's in New York City's Lower East Side. High quality. but unofficial release.
Film about the band Hella's 2005 European tour.
The film compiles videos of Argentine cult band Reynols, it shows a diversity of live concerts and various activities over a period of more than 25 years. It's a part of the boxset "Minecxio emanations 1993-2018". The film includes: Saludo Vincher Vinchas (Miguel Mitlag); Colegio Cristoforo Colombo (A. Ruiz and unknown); No Music Festival, The Tonic, New York, 2001 (Mike Shiflet); Flesh Sound Bs. As. (Reynols selected archives); Somewhere near Kingston (Mike Shiflet); Papagayos en la luz (Reynols selected archives); O’Hara Mansion (Dir. Reynols); Fusa (Reynols selected archives); Lo Pawe Recy Plays Norway (Tom Løberg); Camio Flatdas (Reynols); Lor Nindio Pepelacho in Brussels (Christophe Piette).
A documentary about the Norwegian noise rock band Årabrot. About life, death, art and the music that wouldn't die.
Underground heavyweights The Jesus Lizard return to the stage and this DVD is from the first show of their reunion tour. The original band (David Yow, Duane Denison, David Wm. Sims, Mac McNeilly) was untouchable back in the 90s and prove to be the exception that proves the rule when it comes to punk reunion shows/tours. Always an insanely tight live band, this show proves they still got it when it counts. Singer David Yow is the demented James Brown to the rest of the band's Famous Flames. Blood, sweat, punches, hair pulling and more!
Enjoy Sonic Youth’s full From The Basement set! Track listing: 01:26 - The Sprawl 10:45 - Incinerate 16:15 - Hey Joni 20:42 - Jams Run Free 24:34 - Pink Steam Recorded August 2007
Big Black recorded live at the Hammersmith Clarendon, London - UK, in the summer of 1987.
Quintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance, recorded on May 7, 2003 at WTTW Grainger Studio in Chicago. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry."
In 1983, now legendary post-punk icons Mission of Burma performed two highly regarded farewell shows at the Bradford Hotel in Boston. At the very peak of their power, the band was calling it quits due to guitarist Roger Miller's worsening tinnitus (ringing in the ears), no doubt brought on by their pummeling live performances. Those who were there recall a highly emotional evening: the band and audience were deeply connected through the enormity of what was about to be lost, which inspired Burma to rip through their sets with a passion that was both brutal and bittersweet.