After serving five years in prison, wild child Tanya looks to her buttoned-up, by-the-book sister Danica to help her get back on her feet. The feisty ex-con becomes suspicious and concerned when Danica tells her that she's in a long-distance, online relationship with a mysterious man she's never seen. As the polar opposites start to collide, Tanya soon discovers that her sibling's picture-perfect life may not be what it seems.
Steve Brooks, a sexist womanizer, is killed by a group of his angry former lovers. In heaven, he makes a bargain with God for redemption and agrees to return to Earth. Once there, he must have a sincere relationship with a female and make her fall in love with him. If not, Steve's soul will become the property of the devil. But the devil hedges his bet, and Steve is reincarnated as a woman named Amanda Brooks.
When her scientist ex-boyfriend discovers a portal to travel through time -- and brings back a 19th-century nobleman named Leopold to prove it -- a skeptical Kate reluctantly takes responsibility for showing Leopold the 21st century. The more time Kate spends with Leopold, the harder she falls for him. But if he doesn't return to his own time, his absence will forever alter history.
Madison Avenue executive Graham Marshall has paid his dues. A talented and devoted worker, he has suffered through mounting bills and a nagging wife with one thing to look forward to: a well-deserved promotion. But when the promotion is given to a loud-mouthed yuppie associate, Graham unleashes his rage on an overly aggressive panhandler, who he accidently kills by pushing him into the path of an oncoming subway train. He re-thinks his problems with an entirely new solution. First, he arranges an "accident" for his annoying wife. Then he creates another "mishap" for his boss. It seems like the world is once more Graham's oyster…but a missing cigarette lighter and a prying police detective may change all that.
The rivalry between the manipulative boss of an advertising agency and her talented protégée escalates from stealing credit to public humiliation to murder.
A comedy about an absent-minded man who works at a advertising company and topples from one problem to another.
A bitter ad executive, who has reached his breaking point, finds himself in a mental institution, where his career actually begins to thrive with the help of the hospital's patients.
In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote ‘Yes’ or ‘No’ to Pinochet extending his rule for another eight years. Opposition leaders for the ‘No’ vote persuade a brash young advertising executive, René Saavedra, to spearhead their campaign. Against all odds, with scant resources and while under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.
Three half-brothers are reunited at their mother's funeral. After being told of their inheritance they quickly spend the money, only to find out that they will not receive it after all. The men grow closer while deciding how to proceed.
Is there love after death? After he dies suddenly, the hapless advertising executive Daniel Miller finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia offers him a chance to finally feel alive.
An office clerk loves entering contests in the hopes of someday winning a fortune and marrying the girl he loves. His latest attempt is the Maxford House Coffee Slogan Contest. As a joke, some of his co-workers put together a fake telegram which says that he won the $25,000 grand prize.
A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.
Paris, France, 2001. Octave Parango, a young advertiser working at the Ross & Witchcraft advertising agency, lives a suicidal existence, ruled by cynicism, irresponsibility and debauchery. The obstacles he will encounter in developing a campaign for a new yogurt brand will force him to face the meaning of his work and the way he manages his relationship with those who orbit around his egotistic lifestyle.
Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.
After taking the blame for another disastrous advertising campaign, Ota Kiichiro is asked by his arrogant boss Otaki Ichiro to take his place as a judge at the world's biggest advertising competition in Los Angeles.
A bored wife leaves her husband for an unemployed, petty criminal.
Conrad is a gay man living in NYC. He's also CEO of an ad agency and by nature a control freak. Although Conrad is still in love with Martin (his ex), he hires a young Aussie hustler named Tyler, first for a night and then to work for his company. Things get increasingly complicated as Conrad tries to rekindle things with Martin. Meanwhile Tyler (who's daytime name is Ian) falls for Michael his new supervisor
Thriller about three friends who work in an advertising agency, one of whom has a nervous breakdown. Upon her recovery, she embarks upon an affair with her former employer's husband, with deadly consequences.
Jaci van Jaarsveld will do everything in her power to stop the advertising company where she works to be taken over by a ruthless businessman known as 'The Jackal'. Her only hope for a big contract to save their company is a wine estate that markets wines to international markets. Easier said than done, especially if the winegrower requires the person to promote his wine to be in an established relationship. In desperation Jaci decided to hire a model pretending to be her fiance. She took the first attractive man walking through their offices send by the modeling agency. Everything seems to be going smooth with the meeting with the winegrower until he invites Jaci and her fiance to visit the winery for the weekend and to compete against their opposition for the contract. And who is the opposition? Jaci's ex-fiance, Mark Rossouw. Just when Jaci think she’s in full control she realized that her ‘fiance’, JP, is the very 'Jackal' who tried to sink their company.
While working as a counselor at a summer camp, college-student Marjorie Morgenstern falls for 32-year-old Noel Airman, a would-be dramatist working at a nearby summer theater. Like Marjorie, he is an upper-middle-class New York Jew, but has fallen away from his roots, and Marjorie's parents object among other things to his lack of a suitable profession. Noel himself warns Marjorie repeatedly that she's much too naive and conventional for him, but they nonetheless fall in love.
Set in 1960-1970 New York, this sexy, stylized and provocative drama follows the lives of the ruthlessly competitive men and women of Madison Avenue advertising.
A self-made executive navigates the cutthroat world of advertising, stopping at nothing — no matter how calculating — to become the head of her agency.
I Love Betty La Fea is a Philippine drama series that was aired on ABS-CBN, based on the Colombian series Yo soy Betty, La Fea from RCN Television that began airing on September 8, 2008 and ended on April 24, 2009. From October 5, 2009 until May 28, 2010 it was aired in the United States and Canada via The Filipino Channel.
Kip and Henry, two young studs working for a New York ad agency, must disguise themselves as women to live in the one apartment they can afford.
The Crazy Ones is an American situation comedy series created by David E. Kelley that stars Robin Williams and Sarah Michelle Gellar. The single-camera project premiered on CBS on September 26, 2013, as part of the 2013–14 American television season as a Thursday night 9 pm entry. Bill D'Elia, Dean Lorey, Jason Winer, John Montgomery and Mark Teitelbaum serve as executive producers for 20th Century Fox Television.
The trials and tribulations of finding love and companionship — the second time around. Newly divorced Alex, who is missing his kids and trying to keep himself together. Alex's co-worker Helen thinks she has it together, but she drinks too much in order to cope with her fiance's untimely death. It's no surprise then when these two overworked public relations executives share an ill-fated night of passion and are forced to cope with the awkward aftermath.
On Our Own is an American television series broadcast on CBS as part of their 1977-78 schedule. It featured Lynnie Greene as Maria Bonino and Bess Armstrong as Julia Peters, two employees in the Bedford Advertising Agency in New York who also share an apartment. Toni McBain was their boss, while April Baxter and Phil Goldstein were their coworkers. On Our Own was shot at CBS studios in Manhattan and edited at Unitel. The editor was Frank Herold. The show was filmed on location in New York in front of a live audience, which was somewhat unique for a show of its genre during the late 1970s, as most sitcoms were typically taped in Hollywood. The show aired from 9 October 1977 until 27 August 1978.
Funny Face and The Sandy Duncan Show are two American sitcoms aired by CBS starring Sandy Duncan as part of its 1971 and 1972 fall lineups, respectively. Both series were created and produced by Carl Kleinschmitt. In the spring of 1971, after having appeared in numerous television commercials and having a great success on Broadway in the 1970 revival of The Boy Friend, Sandy Duncan's show business career was quickly ascending. She had just completed her first major motion picture - The Million Dollar Duck for Walt Disney and was about to start on her second film - the screen adaptation of the Neil Simon play Star Spangled Girl which was to be produced and released by Paramount Pictures. Duncan was also signed by Paramount to film a television pilot loosely based on the 1957 film musical Funny Face which they hoped would be picked up by CBS to be part of their 1971–1972 fall television schedule. A pilot was filmed in the spring of 1971 and CBS executives were very enthusiastic. As a result, Duncan was already being touted by the network as the brightest new star of the 1971 fall season.
Nothing in Common was a 1987 television series on NBC starred Todd Waring in the role of David Basner and Bill Macy in the role of Max Basner. Seven episodes were broadcast immediately after the highly-rated series Cheers but didn't pick enough audiences. The short-lived series was cancelled because of low turnout. The series was inspired by the 1986 film by Garry Marshall starring Tom Hanks and Jackie Gleason also entitled Nothing in Common in which Hanks played David Basner and Gleason protrayed Max Basner. Todd Waring later reprised another Tom Hanks role in a TV sequel to Splash for The Wonderful World of Disney called Splash, Too.
The Closer was an American television situation comedy that aired on CBS for 10 episodes in 1998. The show starred Tom Selleck as a successful advertising agency executive.
The series revolves around Rothman, Greene, and Moore, a fictional advertising firm. The storylines center on the difficulties of securing accounts and the characters' personal lives.
Good Company is an American television sitcom that aired on CBS on Monday nights from March 3, 1996, to April 15, 1996. The series is set at the offices of Blanton, Booker & Hayden Agency, a Manhattan ad agency.
Foot in the Door is a short-lived comedy that aired on CBS in 1983. The series stars Kip Gilman as Jim Foot, a man working at an ad agency in New York, Diana Canova as his wife Harriet and Harold Gould as his recently widowed father Jonah who decides to move in with them.
First Impressions is a sitcom that aired on CBS from August 27, 1988 to October 1, 1988. It stars Brad Garrett as Frank Dutton, the owner of an advertising agency in Omaha, Nebraska and a divorced father starting to date again.
Follow the evolution of advertising from the 1950s through the 1980s, via interviews with the industry's top ad executives, and through classic ads and commercials.
