Keyword Carny

An ambitious carnival man with a talent for manipulating people with a few well-chosen words hooks up with a female psychologist who is even more dangerous than he is.

In the summer of 1987, a college graduate takes a 'nowhere' job at his local amusement park, only to find it's the perfect course to get him prepared for the real world.

Roustabout Stanton Carlisle joins a traveling carny and unsuccessfully schemes to figure out the mind-reading act of Mademoiselle Zeena and her alcoholic husband, Pete.

Five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns.

On the lam, criminal Alonzo hides in the circus as The Armless Wonder – a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.

Tired of being a small-town waitress, Donna departs with the latest carnival show, living with entertainers Frankie and Patch in a tense, emotional triangle.

But what is the Church of Satan? Who is Anton LaVey? Where is he from? Why does he do that? It does not take much to imagine the worst. Orgiastic ceremonies, where one revels in the blood of virgins, moonlight lamb sacrifices, noise concerts in the basement of a historical building… No, really nothing that amusing among the activities in the Church of Satan. Anton LaVey is nothing like a horned Charles Manson, and his path is all the more unexpected. Nick Bougas allows us to discover the artist, the musician, the philosopher, all through hallucinatory images retrieved from archives, making this rare documentary only two years before the author of the Satanic Bible disappeared.

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

A medicine show singer finds her love.

Carnivàle is an American television series set in the United States during the Great Depression and Dust Bowl. In tracing the lives of two disparate groups of people, its overarching story depicts the battle between good and evil and the struggle between free will and destiny; the storyline mixes Christian theology with gnosticism and Masonic lore, particularly that of the Knights Templar.