Dita, who, despite never aspiring to be a mother, finds herself compelled to raise her girlfriend’s two daughters—Mia, a tiny troublemaker, and Vanesa, a rebellious teenager. As their individual wills clash, a heartwarming story unfolds about an unlikely family's struggle to stay together.
Among the guests who come to the mansion of aristocratic landowner Nikolai over Christmas are a politician, a young countess, and a general with his wife. They dine and discuss topics such as progress and morality. As the debate becomes more heated, cultural differences become increasingly apparent.
Two days before the wedding, Dragana decides that she will not marry the weak and predictable Momo. His headstrong father Leso strikes a deal with her – to act as the bride just for the day. But instead of saving the family’s honor, it only starts a traumatic farce for everyone involved.
12-year-old Sofija is seemingly facing a boring summer vacation with two grandmothers. However, new friendships, a first kiss, and long kept family secrets will turn this summer on the idyllic Adriatic island of Hvar into a priceless experience and an unforgettable adventure.
A devoted but underappreciated housewife's brief taste of autonomy as a mall cleaner (where she is a popular, model employee) is threatened by pending layoffs.
The factory that once employed the entire town and surrounding villages has been closed down due to a questionable privatization process, coinciding with a tragic incident where a group of its workers perished in a deliberately set fire. The remaining workers, devastated by the loss of their loved ones and the subsequent corrupt sale of the factory, initiate protests, but their efforts seem futile, yielding no concrete results. Feeling abandoned not only by the authorities but also by their cherished church, they find themselves seeking solace and answers in the supernatural.
"Barbarians" is a teenage drama about coming of age in a world where there is no opportunity. A portrait of a young generation growing up in a society of lost values.
Yugoslavia, late 1980s. Parents and son are hastily making the final preparations for Christmas Eve dinner. Their beloved uncle will be turning up from Germany any minute now. But, hang on, are things really as they seem? An unnerving debut à la Haneke that cleverly balances on the edge of farce and oppressive thriller while ingeniously toying with narrative structure.
Desanka is a fortune-teller. How does the day pass for a woman like this, how does her closest family live with her, and does she solve her own problems with the same ease as the problems of others?
High up on the Greek mountains, there is a remote village, whose residents strongly believe in myths and superstitions. Peter is a teenager, who has grown up in this suffocating environment with his strict grandmother and overprotective mother, who have forced him to wear a protective mask over his eyes since the day he was born. Peter suffers from an “eye disease” and he is gradually losing his sight. Before he becomes completely blind, he and his best friend Aemon will travel away from home and go to the place they desire the most: to see the view up from the top of the recently built wind turbines. Through their adventures, Peter will come-of-age, and learn the painful truth about his eye condition and the lies he has been told. He will understand that to complete his journey he must sacrifice his own eyes.
Upon her arrival at an institution for people with mental disabilities, Maria becomes fast friends with the equally fiery Dragana. When it becomes clear that they are both in love with the more withdrawn Robert, their relationship is upset and gradually grows into a dangerous game of hide-and-seek to win him over. Being condemned to a lifetime of hiding away from society, the three teenagers’ profound longing for independence and human connection takes hold. Driven by the newfound feelings of desire and envy, their impulsive actions topple the delicate balance preserved by the institution’s stifling rules and spill over into confrontation and desperate measures for any way out.
At a school trip in Yugoslavia in 1989, elections for Class President are held among 10-year-old pupils under the supervision of their teacher. The film explores the relationship between political and romantic power(lessness).
Slovenia, the spring of 1999. Two friends from a small village decide to transform their mopeds into choppers and embark on a journey. Looking for freedom and love, they travel through dreams of the past and visions of the future. Driven by mad impulses and haunted by the conservative moulds of traditions, they start believing and understanding things previously unimaginable. On the road through Slovenia and Croatia - two countries that have just recently seceded from Yugoslavia - they are accompanied by a young runaway woman with a mysterious past and an old biker who has seen the world in search of freedom but has still not found it. They challenge themselves and each other through shared experiences, severing their ties with and conceptions of the old and thus making way for the new.
A shadow-theatre performance about a man who sold his shadow to the devil.
