Robinson, appropriately named as we will soon discover, is on vacation in Biarritz with his wife. What follows is the story behind the loss of his arm, a story that becomes increasingly bizarre and eventually apocalyptic, leading us down a narrative path of labyrinthine complexity. The resulting film is an extraordinary feat of imagination and daring, set against the backdrop of a world on the verge of destruction.
Isra and Cheito are two brothers who have taken very different paths in life. When Isra gets released from prison and Cheito comes home after a long tour with the Marines, they both return to the island of San Fernando. The reunion of the two brothers will bring with it the memory of the violent death their father suffered when they were just boys; the need to get back on track with their lives and finally come to terms with what happened will bring them together again.
Michel, was born in Latin America, "on the other side of the world", as the script emphasizes, of a French father he hardly knew at all. He goes to Paris to start a new life. His only possession is a painting which his father left him, along with the advice: "If you ever need to sell the painting, do so in France, where it's worth a fortune." But Michel discovers that his father's tumultuous and secret past comes along with the valuable painting. Meanwhile, Clara, a middle age Spanish-Argentine mother gets a strange present from a now dying childhood friend in Buenos Aires. It's a roll of Super 8 film which brings back very strong, and emotionally charged memories from the 1970s and before.
"Caracremada" ("Burnface" in Catalan), a nickname given by the Spanish Civil Guard to Ramon Vila Capdevila, reflects about the libertarian resistance against Franco's regime through the last active guerrilla fighter. In 1951 the CNT ordered the retreat of its militants; however Ramon Vila remained in the woods of inland Catalonia where he restarted the fight operating on his own.
The story of the recovery of the negatives of thousands of photos taken by three photographers during the Spanish Civil War that were found seventy years later in a suitcase, inside a closet in Mexico City.
A documentary/fiction mix inspired by the flamenco singer Camarón.
Yacine is in his 30s, of Algerian origins, and has come to Paris looking for inner peace. A playful and poetic quest leads him via all kinds of strange encounters to an increasingly surrealist world and to Andalusia: a state of mind.
A group of people are walking in the forest. They seem to be heading somewhere. In the sky, a plane is flying and inside it, a child is crying.
An exploration of the work and personality of Spanish sculptor Jaume Plensa.
