Kino Klub Beograd

A story about two people who didn't find their way in big city. He came from the countryside and works in steel factory, she's working in factory restaurant. Their lives change when they meet and fall in love.

A young slacker circumstantially gets involved in the smuggling of falsified English pounds via Trieste-Yugoslavia route. He helps the police to solve the case.

Experimental Yugoslav short film.

In a Serbian village on Christmas Day in 1943, the Chetniks accept two downed American pilots and give them hospitality. However, finding out that the Germans are looking for the pilots, the Chetniks change their attitude towards them.

A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.

Two brothers return to their devastated home village after the end of the Second World War with nothing to their name but their army-issue machine guns. There they find a traumatised German, abandoned in retreat. Together, the three men act out a tragicomic tale.

Two men, who have been fighting on the enemy sides in WWII, meet in the jazz club twenty years after. Mladen, who was a partisan at the time, recognizes a familiar face of a man whom he was supposed to shot, but missed on purpose.

First five minutes of the film show a weird fellow who is playing marbles with kids and seems to be just biding his time. Film after the titles continues to follow his adventures as his love story unfolds. A love story between him and a doll in a window shop.

Tragi-comedy about a man who, overnight, becomes rich by winning a lottery.

The subjects are trains and trainyards, which were key iconic symbols in the Yugoslav Black Wave films of the decade that followed. Lazić would also turn pro, directing mostly for television with the intermittent feature film to his credit.

A psychological study of a hero who, after being badly beaten up by Gestapo, rats on his comrades and friends and becomes their vicious killer. Now the death seems like a salvation to him.

A group of people go on a picnic in the mountains. Longing for some love and understanding, they try to get close to one another, but the barriers are insurmountable. Failing to pull through their nutshells of solitude, they get back to the city, the eternal desert.

A group of WW2 orphans, now young people in their late teens, find out that one of them is a child of a war criminal. They are determined to discover his identity, even though this person could be any of them.

Students from the Prague Academy of Film (FAMU) talk about their life in Prague. Filmed in Prague in 1968, a few months before the Russian invasion of Czechoslovakia.

Experimental short film from Yugoslavia.

Inspired by the 1928 experimental film by Robert Florey and Slavko Vorkapich, The Life and Death of 9413, a Hollywood Extra, this amateur short is the story of a man who spends his entire life under the thumb of anonymous bureaucrats. The titular seal adorns everything in life, from birth to death, in a criticism of bureaucracy and power over the individual, in a film that makes stylistic references to silent cinema.

Three young delinquents, two boys and a girl - go through their personal drama alongside wrongdoings they do. The local chief inspector gives his best to help them, besides the fact that he's beholden to arrest them.

Short experimental 16mm film.

A distressed young woman, possibly on the run is surrounded by nothing but barren landscapes of forests and fields. As she progresses to an indiscernible denouement, the film contorts shape into a circular series of pulsating images that touches on the horror and the metaphysical.

A film from 1963, the last seconds of a trampled woman's life, a reminiscence of life until the very end.