Bassist and composer Kyle Eastwood reunites his quintet with the Orchestre National de Lyon to pay tribute to the career of his father, legendary actor and filmmaker Clint Eastwood, in a concert combining jazz, classical music and cinema, held at the auditorium of the Orchestre National de Lyon on October 19, 2022.
Newman's poem tells the story of a soul's journey through death, and provides a meditation on the unseen world of Roman Catholic theology. Gerontius (a name derived from the Greek word geron, "old man") is a devout Everyman. Elgar's setting uses most of the text of the first part of the poem, which takes place on Earth, but omits many of the more meditative sections of the much longer, otherworldly second part, tightening the narrative flow.
Magic opera, Singspiel, a comedy with spectacular stage effects, Masonic ritual with Egyptian mysteries, heroic-comic opera? Die Zauberflöte is heard more often and has been more frequently performed, discussed, queried and interrogated than almost any other work in the history of opera. It is rare for the mysteriousness and multiformity of a work to be adjured with such mantric intensity. It is equally rare for a work to enjoy such undisputed success despite all these debates – and for over two hundred years at that.
Passengers, the segment of the ARTE Concert, plays Jungle in the Paris metro. The British duo perform their greatest hits live on the station.
La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.
Love, power and ambition meet on the stage of the Teatre de Liceu in Barcelona with L'Incoronazione di Poppea by Monteverdi directed by Jordi Savall and directed by Calixto Bieito.
After winning in battle, Commander Macbeth receives a prophesy that he will one day become King of Scotland. Influenced by the whisperings of his wife, he literally stops at nothing to fulfil the prophesy. But racked by guilt, the Macbeths soon sink into delusions and become victims of their own thirst for power. Anna Netrebko reprises her electrifying portrayal of Lady Macbeth opposite Plácido Domingo at the Berlin State Opera. Maestro Daniel Barenboim leads the opera icons along with the Staatsopernchor and Staatskapelle Berlin.
Amour, the messenger of the gods, tells Orpheus that he may descend to the underworld and return with Eurydice. His singing has the power to appease the Furies and animate the blessed Shadows. Yet, his voice cannot reassure Eurydice who despairs of the feigned indifference of Orpheus, put to the test by Jupiter. Raphaël Pichon conducts the opera of operas and Aurélien Bory displays the giddiness of the mental and supernatural spaces traveled by Orpheus and beyond. Marianne Crebassa plays a new breeches role with Hélène Guilmette (Hélène in Le Timbre d’argent) and Lea Desandre (the title role in Alcione).
Franz Schubert's "Winterreise" is considered the pinnacle of German art song. Hans Zender (1936 - 2019) arranged the cycle in 1993, and his version for tenor and small orchestra brings to light emotions that pulsate beneath the surface in Schubert. Similar to Hans Zender, the choreographer Christian Spuck is also concerned with a journey into the interior of the human being.
With war and acts of violence in the background, Aida tells the story of a fascinating and tense love triangle between the Egyptian princess, Amneris, Ramades, an officer, and Aida, a Nubian princess, captured and reduced to slavery. The historical scenes and triumphal marches, which have contributed to the popularity of this opera, are followed by intimate but powerful duets and introspective moments of great intensity.
Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.
A total solo. In the center of a huge space, alone on a constantly shrinking stage, Jeanne Added engages in a hand-to-hand ballet with the camera. With Both Sides, Jeanne Added has invented a pure performance by sculpting her playing space into this huge white stage, suspended in the middle of nothing. Alone, without any pomp, the artist gives herself over completely to her vocals and dancing. An allegory of the dance floor, of a space that, by shrinking, opens itself up to immensity; or the struggle of a solitary figure, who fights while dancing, as the ground moves beneath her feet. The film of this live performance is unusual: a visual confrontation, a powerful musical battle, the pared-back presentation invites the spectator to share a unique experience. Exuding a singular and unique charm, this “living UFO” gives us an unprecedented perception of Jeanne’s intense music.
Arcade Fire are masters of epic performances and this date at the AccorsHotel arena was just that; as part of a major tour following the release of the Canadian sextet’s last album ‘Everything Now’.
One moment the singer Floria Tosca is standing on the stage, next moment she is the key figure in a deadly political intrigue sparked by jealousy and the craving for power. Giacomo Puccini’s thriller continues to captivate audiences to this day. Helsinki presents an audacious new production of this classic directed by Christof Loy. Award-winning German director Christof Loy promises a new and original vision of Puccini’s masterpiece. Lithuanian soprano Aušrinė Stundytė has the title role for the 2018/19 season, Italian tenor Andrea Carè plays the artist Cavaradossi and Finnish baritone Tuomas Pursio the power-hungry Scarpia. The conductor is Patrick Fournillier.
