Gypsies

Gypsies 1922

5.70

The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.

1922

The Golem

The Golem 1936

4.80

The Golem, a giant creature created out of clay by a rabbi, comes to life in a time of trouble to protect the Jews of Prague from persecution.

1936

I'm a Girl with a Devil in the Flesh

I'm a Girl with a Devil in the Flesh 1933

1

This Czech sophisticated romantic comedy, filmed by director Anton also in a parallel French version ("Une petite femme dans le train"), casts beautiful Czech star Baarova in the role that Meg Lemonnier played in the Gallic version.

1933

Volga in Flames

Volga in Flames 1934

5.90

Lieutenant Orloff, a recently graduated Russian officier, is making his way across the snow-covered steppes to the garrison where he is to be stationed. He comes across a man who has lost his way in the blizzard and takes him to the safety of an inn. Arriving at the garrison, Orloff meets and falls immediately in love with Macha, the daughter of his commander. The town is suddenly attacked by a hoard of bandits who claims to be the true Tsar of Russia.

1934

On the Sunnyside

On the Sunnyside 1933

5.00

A story of two story of two children tossed between their indifferent parents and a progressive boarding school.

1933

Kristian

Kristian 1939

7.30

Alois Novák (Oldrich Nový), a minor clerk in a travel agency and the husband of a dowdy housewife Marenka (Natasa Gollová), lives a run-of-the-mill, dull life. In his soul, however, there resides an inextinguishable desire for adventure. And so once a month he poses as a playboy. As the mysterious and wealthy Mr. Kristian he goes to the exclusive Orient Bar where he does not skimp on generous tips and where he platonic-ally seduces beautiful and elegant women. In the salon he speaks of love and the magnificence of exotic lands, which he has supposedly come to know on his wanderings abroad. In reality he has read all of this in the travel agency's brochures.

1939

Morality Above All Else

Morality Above All Else 1937

8.00

Professor Karas is widely known as enthusiastic propagator of the motto "Morality Above All Else". He guides his students as well as his own family to live a morally decent life. One day he has an unexpected visit. It's his illegitimate daughter Vera, who is proof of his thoughtless youth. Mr. Karas know that she can ruin his image, thus he decides to keep her a secret and asks her to leave. Instead of leaving she takes a position of a governess in his own family without letting him know. Mr. Karas realizes that he must reveal the truth sooner or later, but he doesn't have enough courage to do so. As he postpones it, he is more and more scared to come to his own home.

1937

From Saturday to Sunday

From Saturday to Sunday 1931

6.60

Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together.

1931

The Illusion Factory

The Illusion Factory 1938

9.00

In this reportage, film professionals offer the viewers a peek behind the scenes at the Barrandov studios. We see how sets are constructed and we find out what sorts of things are stored in the prop department. The friendly commentary describes the journey from camera negatives to a film on the big screen. We learn about film technology and take a glance into film laboratories and editing rooms. The film also presents unique footage from the filming of The White Disease, namely the dramatic scene with five hundred extras in which the Marshal announces his declaration of war.

1938

The Robber

The Robber 1931

1

Mimi lives with her parents and the maid Fanka in a villa near the forest. One day, a gamekeeper comes to court Mimi when her parents are away.

1931