Societe pour le Lancement des Oeuvres Nouvelles (SLON)

In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.

A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.

A documentary look at striking workers in a textile plant in Besançon, France, centering on interviews with workers about their motivations for becoming involved with the union and the struggles of their day to day life.

An affectionate portrait of the left-wing publisher and bookshop owner François Maspero, who was a contributor to Far From Vietnam and would later publish the commentary to Le Fond de l’air est rouge. Maspero is one of the most satisfying and likeable of Marker’s films from this period, achieving an exemplary balance of quirky human warmth with a clear and inventive form of political argument.

This half-hour documentary focuses on Medvedkin and his CineTrain of the 1930s, a sort of mobile film workshop, complete with post-production facilities, animation stations and a large laboratory. Traveling thousands of miles across the Russian countryside, the train stopped to have its filmmakers document Ukranian harvest practices, steel production facilities in southern Russia and other industrial / agricultural matters; With each crew member living in 1 square meter living quarters, all individuals on the train were responsible for various odd-jobs and other practical matters in addition to their own film-making concerns.

Writer and pedagogue Fernand Deligny influenced a number of artists and French intellectuals. His work on autism influenced Deleuze and Guattari's theory of the rhizome. Francois Truffaut turned to his ideas to complete Les 400 Coups. Throughout the film Deligny plays with the possibilities of the camera to live and think closer to the human subject, offering with Le Moindre Geste a unique film to the world, one of most fascinating in French cinema. Situated [visually] between mountain western and integral neorealism, the film tells the story of two teenagers, escaped prisoners of an asylum, running away through the Cevennes.

On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.

Young French immigrants to Sochaux dismantle the mechanism of exploitation in their daily lives as it was thought by Peugeot. They play and tell about the recruitment, hiring, scheduling, housing, and struggle that has been done in the ALTM - Homes for Young Workers.

A class struggle " Music Video ", in which Colette Magny sings a song in honor of the workers of the textile factory Rhodiacéta, whose six-week strike in 1967 caused a stir

This film is a poem from Jean-Pierre Thiébaud, one of the workers participating in the Chris Marker-animated Groupe Medvedkine, and who took part in the 1967 Strike. It is a visual lyric, against war and capitalism, a call for emancipation.

A group of leftist activists expose the exploitation of immigrant workers by a criminal network with connections to local government officials. The movie was produced by the group SLON (Société pour le Lancement des Oeuvres Nouvelles, also the Russian word for elephant). SLON was a film collective whose objectives were to make films and to encourage industrial workers to create film collectives of their own. Its members included Valerie Mayoux, Jean-Claude Lerner, Alain Adair and John Tooker, and Chris Marker.