A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.
A girl is kidnapped by a drug dealer at the behest of a corrupt senator (Coffin Souza), who intends to hold a party in the presence of a demented priest and a doctor using the girl as fun.
Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.
The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.
This film is Ivan Cardoso's new incursion on pop and experimental cinema, making an hommage to old screenings at Cine AC, and reuniting restaured films and new works.
Sinners of a rural community having his flesh melted as an atonement for his Christian offenses. A revolutionary army of two people feuding with hordes of rotting zombies, and a mad scientist philosopher that builds a mummy of Christ to control the world.
Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.
Who is Gurcius Gewdner?
With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?
In 2002 Petter Baiestorf launched the fanzine "Manifesto Canibal" with notes on how to produce films independently without any resources. In 2004 the anarchist publisher Achiamé ordered an expansion of the fanzine to be published in book format and, thus, the book "Manifesto Canibal" by Petter Baiestorf, Cesar Souza and intervention by Carli Bortolanza appeared. In 2007, already out of print, Petter Baiestorf decided to film the book in the format of an experimental short and what follows here is the result of this iconoclastic experience that kills the gods of cinema.
A complex children's fable about world domination with homage to classic black and white horror films and monsters.
A day at the beach
A couple in crisis is about the Brazilian middle class.
In the wild island of Pazúcus, everything is hopeless. Oréstia & Omar seek to harmonize their relationship in a camp and find themselves gradually oppressed by nature, which changes from paradisiac to hellish. Simultaneously, inside Carlos’ intestines, fecal monsters plot his demise. This stomachic confusion makes him an easy prey for the obsessive Dr. Roberto. The paranoia, the sorcery, the madness and the prophetic voice lead their destinies to a place where the dissolution of all beings appears to be the only possibility of communion.
Canibal Filmes and Bulhorgia Produções proudly present the most faithful and realistic version, released so far, about what goes on in the mind of the accursed filmmaker Petter Baiestorf. With direction and script by Baiestorf himself and editing by Gurcius Gewdner, the film shows in a clear and objective way the entire trajectory of life, ideology and passions experienced by Santa Catarina. With a soundtrack of impact and moments of joy and anguish, entirely taken from the incredible vinyl collection of Gurcius Gewdner, Palhaço Triste has already been considered the best film of the tireless Canibal Filmes, in 2005
The Vegetable Monster survived the shot fired at the end of Part 1. Wounded, he is saved by a shy veterinarian who is abused by the rude colonists of southern Brazil, and who will use the alien plant creature as an instrument of revenge.
