1983 — A young biologist returns home from studies abroad and feels something wrong with his body. This is the start of the AIDS crisis when the first wave of the epidemic hit Brazil. Lives will change, friends will be lost and the future is uncertain.
André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.
Solange wants her stuff back. She moved out of town five years ago and now returns to retrieve her belongings, which she left in boxes at friends' homes.
João is a 32-years-old musician that opts for the isolation of a farmhouse in the Brazilian countryside after Flora, his pregnant wife, breaks up with him. Three months pass and he’s finally ready to make amends with his wife and follow the birth of his son. But then João is surprised by the mysterious appearance of Max, his best friend, who’s been missing for years and was thought to be dead.
A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.
Creating a national park in the Brazilian state of Piauí dedicated to the preservation of what are apparently the first traces of human activity in the Americas has been archeologist Niède Guidon’s life work. SERTÃO, AMÉRICA is a contemporary take on a mythical territory of Brazilian cinema, once the cinematic realm of Glauber Rocha and other giants. The film pays a brief visit to the region, which is rendered in appropriately fragile analogue textures and deteriorated colours, as small fragments of the biographies of those who used to live there hover over the animal noises of the delicately crafted soundscape.
A dance group rehearses for their latest performance Inabitáveis about black homosexuality. While the choreographer conducts research and gives guided tours, he meets Pedro, a young trans girl looking for her own means of expression. She desperately wants to be taught by him.
In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.
Joana, a 14-year-old teenage girl, shows up to spend a week with her father, Renato, a comedian who performs his shows in steak houses, bars and nightclubs in Fortaleza dressed as Silvanelly. Despite barely knowing each other, having had little contact so far, and leading very different lifestyles, father and daughter need to live together during this period of time. Together they will meet the young actor Marlon, live new experiences and try new feelings. This week together will profoundly transform their lives.
The painter Lauro seems to have a good life: he lives with his beloved wife Erika, and is successful working with art. However, he is not happy. One day, Lauro runs into Theo, a friend he hasn't seen in years. Both have already been in love with the same girl, Clara, who no longer lives in the city. It doesn't take long for the two to start remembering them as stories from the past, while taking a long walk through the streets of Vitória.
Rodrigo, the director of this film, was given three months to live. Lonely in facing death, he searches for Eduardo, his first boyfriend. But Eduardo won’t answer.
A film by Orlando Bomfim Netto, member of the Capixaba Collection.
