The sudden death of Oleg leads to the reunion of his group of long-lost friends who are back together after a long time. Their last goodbye to him turns into a trip down memory lane, to their years of youth before adult life hit them so hard.
Nenad Vižin's violent death was the catalyst for a unique phenomenon in the history of ex-Yugoslavia: 300 citizens of Rijeka signed a petition asking the police and the communist party to take responsibility. The petitioners were submitted to accusations and prosecutions. Although the events surrounding the death itself remain a mystery, it left its mark on a whole generation in Rijeka and is still a part of the social fabric of the city. This film depicts the mechanism of fear as an integral part of political systems and portrays the unique artistic rebellion that occurred in Rijeka in the 1980s as a reaction to fear and powerlessness.
The film is a story of immigration and identity after the dissolution of former Yugoslavia, as seen through the eyes of filmmaker Mihajlo Jevtic. It follows the period of transition of the Socialist Federal Republic of Yugoslavia into today's Serbia and Mihajlo's transition from a child into a middle aged man. It is a film made by a man who is about to leave his country for good and about the contents of his immigrant's suitcase. Story about one country and four passports, a farewell that was in the making for 25 years. Combining the present-day footage, his family's Super 8 home videos and animation, Mihajlo reflects on growing up in a society that has been falling apart.
At the age of 16 Ana was locked up in a psychiatric hospital by her parents, who arranged the treatment to cure her homosexuality. After all she went through, she longs for a girl who won’t think of her as insane. She finds all that in Martina, her new love, who she plans to marry. However, Martina’s patience wanes with time as she finds Ana more obsessed with her traumatic past than with the life they’re sharing together.
Danish philosopher Søren Aabye Kierkegaard (1813 – 1855) was buried at the Assistens graveyard in Copenhagen, where he spent his whole life. During his life he was thinking about death a lot, and then he died.
In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?
The manager and employees of the long-standing rock nightclub Palach are followed in the last moments of the club's existence.
Croatia has 718 islands and 467 cliffs. 67 islands are inhabited, and only nine of them have direct access to potable water. The remaining islands are dependent on water carrier ships. Our Daily Water is a Mediterranean comedy about one such ship and its crew.
Promise and Ian are now 11 years old. Steve soo will announce to the group that three years after stopping, some of theme will be chosen for the European tour for their "Cirque du Soleil" style show, performing in many countries. Promise and Ian start to train even harder. Will they be selected?
The film analyses all the things imposed on women by the media. It presents the framework within which women are supposed to act and accept it as their own – the stereotypes imposed via women's magazines and, primarily, through fashion and advertising industries. It deals with illusions presented to us by media as reality and it peeps behind the scenes. It is a film about women as shown and presented by the media. It was created in cooperation with the women's association B.a.B.e.
