Cinemax

A couple's weekend getaway to find some time together turns into a swinging good time.

Recorded live at the Coconut Grove in Los Angeles, Roy is joined by an eclectic ensemble of rock and roll superstars including Jackson Browne, Elvis Costello, T-Bone Burnett, J.D. Souther, Jennifer Warnes, k.d. lang, Bonnie Raitt, Bruce Springsteen and Tom Waits.

A teen must resort to extreme measures to protect her family from a supernatural entity.

Her story is well-known — the lonely child who yearned for affection and approval which she finally seemed to find as Hollywood's greatest love goddess. But even though she scaled heights few could even dream of, she was one of the loneliest of stars.

My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.

Now a famous talk show host, Martin Mull takes his crew and cameras to Hawkins Falls, Ohio with the intent to give his erratic career a fresh start by shooting a special. While the residents are only concerned with taking advantage of his celebrity status, Mull falls for former subject and number one fan Joyce Harrison, who's still very much devoted to her husband Hal.

Drama set in 1940 about a peasant who traverses Cyprus to pray at a monastery.

In this daring follow-up to The History of White People in America, comedian Martin Mull takes us on an in-depth look at such topics as White Religion, White Stress, White Politics, and White Crime.

A documentary look, mostly through the eyes of Tammy Faye Bakker Messner, at her rise and fall as a popular televangelist with husband Jim Bakker.

Inspired by the book of the same name, film-maker James Marsh relays a tale of tragedy, murder and mayhem that erupted behind the respectable facade Black River Falls, Wisconsin in the 19th century.

A retrospective on the career of Robert Mitchum through interviews with friends and co-workers, scenes from his films and the actor himself.

The Devil's Playground is a fascinating and moving documentary about a little-known aspect of Amish life. Amish are not permitted to join the church until their late teens, and have to do so of their own volition. The film explores Rumspringa, wherein young Amish are given the opportunity to explore the "English" way of life.

Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.

The story of the Hakoah Vienna Jewish womens swim team of the 1930s, their forced separation, and their reunion decades later.

A young news reporter schemes to take over the job of a veteran news anchor whose ratings he's been hired to promote.

Chris Elliot plays FDR in his live "One Man Show" about the life and times of the president, however, he looks and sounds nothing like the man and he re-enacts events from Roosevelt's life that never happened.

Xiara Trujillo is a precocious seven-year-old who moved from the Bronx to Maryland with her mom, Aracelli Guzman, four years ago. Though she seems happy hanging out and playing with her pal Melissa, Xiara becomes defensive and emotional when talking about her father, Harold Linares. As we see and learn, Harold is in jail serving a ten-year sentence for weapons possession; Xiara seems to blame his incarceration on her mother, whom she says "kept calling the police." Xiara, who has always been extremely close to her father, acts out with her mother.

This profile of homeless young people in St. Petersburg, Russia, uses subtitles and narration to tell their tales, many of which focus on drugs, neglect and abuse.

The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?