National Commission for Culture and the Arts

When an alien comes back to take him, a mouthless young man's life twists and turns as his memories untangle.

After years of imprisonment in the Middle East for a crime he did not commit, Lino finally returns to his small town. He hopes to relive his lost dreams and bring back everything that was taken away from him. With his red suitcase filled with misery and uncertainty, he reunites with his past. Revisiting what he left behind, he discovers that life went on without him. As he tries to fill the emptiness, he realizes that he is now the void.

Jay is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.

Gibson Bonifacio stopped speaking when he was a child. Now twenty, he returns home to Manila for Christmas. While always festive in the Philippines, for his family it is tinged with sadness, marking the anniversary of his twin brother’s death.

Badong, an established painter, comes home and returns to his old studio. He has a piece in mind that requires a specific model to pose nude. He wants Mimosa, his former nude model and ex live-in partner. Years ago, Mimosa left him for another man.

Padre De Pamilya is a story about a father Joselito Mirasol (Ariel Rivera) whose only wish is for his children to grow up as good Catholic Christians. Unfortunately, his salary as a government officer is not enough to make ends meet. And because he is working under a corrupt mayor (Tessie Tomas), the temptation to become a corrupt government official are always there.

The night before the lockdown, while reviewing some unused footages from my latest film project (Hinulid), a small box from an anonymous sender arrives. The box contains a Bikol translation of the Tagalog long poem, Ibong Adarna, and an egg.

During the Japanese occupation of the Philippines during World War II, a young girl from Vigan and an idealistic Japanese officer fall in love. With a war between them and disapproval from both sides, the two struggle to find their own piece of happiness in the world as duty and family threaten to tear them apart.

In 1982, a fourteen-year-old movie fanatic from an underprivileged family in the Municipality of Manapla coincidentally witnesses the production shoot of Oro, Plata, Mata in his hometown. Full of determination he approaches the director, Peque Gallaga, in the hopes of landing a job that would help in providing for his family, and feed his passion.

Lorna, a mother of two, just lost her husband, a fisherman one morning in a tragic sea accident. She was left with no choice but to raise her own family. In a town where women are regarded as inferior, she defies the odds by being the first woman “mangingisda” in order to feed her kids. Will she be able to rule out the ways of the sea? How long till’ the community accepts her defiance?"

Orphaned by war, 12-year old Nikol found a new home in Isla Kalilintad, an island community of people from different cultures and faith traditions. He was forced to become an adult at a tender age, trying to eke out a living to feed Langit, his younger brother. By serendipitous circumstance, Dr Sittie and Sr Claire, a team of humanitarian workers on a mobile medical mission, visited the isla before they proceed to the other smaller islands. Nikol, eager to grab the chance to work, presented himself as a natural healer and got accepted as an all around utility person for the mission. The mobile medical mission which runs on a low budget, relies on fishing boats offered by the communities they serve as they make their way to far-flung villages rarely reached by medical services from both government and private sector. Each journey to these unknown frontiers bears stories of struggle and survival of people affected by war and extreme poverty.

Inside the Rabadon house, nobody talks. Lives are kept to themselves; problems are not shared; questions are not entertained. The people living inside it have become used to leaving everything unstirred especially Margaret, the mother of the home. Margaret's desire for cleanliness and order alienates her from her family. She cannot confront the problems of her life and so she confronts dirty dishes, ugly stains, and disorderly appliances. To get to know her family, she snoops around - entering rooms, opening cabinets, reading journals she is not supposed to read. But everything changes when a journal entry of her daughter's makes her unravel, stirring the unstirred life that she has held on to for years.

After the lockdown silenced the Higantes festivities, Tupe finds himself jobless and isolated. He sees a glimmer of hope when he qualifies to receive financial help from the government. But getting his hands on that money is not as easy as he thought it would be.

Hernan, a lowly informal dweller, gets engaged in a trivial property dispute with his neighbor. He is criminally charged with attempted murder after a heated altercation. He brings out a bolo from the kitchen to confront his neighbor. At that time his wife is slaving herself in Dubai as an OFW, and he is left to give unconditional care to her 2 children from her first marriage.

When they have no one to pass their "mutya" forward so they can finally die, aging "aswangs" in Antique are believed to seek for the mystical lake in Negros where they can just turn into ashes and disappear forever. This is the story of a 78 year old aswang and the young man who helped her find the lake.

While trying to cozy up to the sexy and mysterious Mina, who recently moved into the boardinghouse above his shop, unlucky Xerox operator Lito is unwittingly placing his life in grave danger.

A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.

Mina, a pretty and intelligent 18-year-old student in a town, falls victim to a viral sex video the circulated in her school. This forced her mother Rita, an overseas Filipino worker in the Middle East, to go on an emergency leave to take care of her only daughter who was severely affected by the incident. In the following days, strange things start to happen to Mina at home and at school. Her nose bleeds endlessly, a python appears in their home, and she sees the spirits of her ancestors come to their house. A healer, an old woman from the next barrio, is called to treat Mina’s strange afflictions. The old woman surmises that Mina’s ancestors had come to tell her of an important message but Mina is stubborn and continues to ignore the signs communicated.

A tribute to the people that we fear to lose, and for the ones that we have lost. It is a story about the fear that we have to face as the new normal.

Filming in a Time of Uncertainty is a short documentary film that follows a small team of filmmakers, who are based in the region in Mindanao, as they struggle to shoot a film amidst the trying times of the pandemic. And how they were able to comply with the community's minimum health guidelines, while observing the basic health care, in spite of the intricacies of the film industry’s standard health protocols.