Umbrella Entertainment

A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.

In the small town of Speedway, Indiana in 1978, four young employees of a Burger Chef restaurant went missing at the end of a Friday night shift. The police initially suspected a petty theft by the work crew. By the time their bodies were found on Sunday and the investigation elevated to multiple murders, the crime scene had been cleaned and re-opened for business.

An ex-con gets released early from prison only to be forced into an undercover unit of six men and on his first day the other five are all killed. Now he must face the men who he was tasked to spy on.

You Should Have Been Here Yesterday combines hundreds of hours of lovingly restored 16mm footage with a salt-infused soundscape by Headland. This cinematic poem tells the story of a wild community who took off up the coast and discovered a whole new way to live. Going back to the never-before-seen camera reels to ask the question – what do we keep and what do we leave behind? Featuring Tim Winton, Wayne Lynch, Bob McTavish, Albe Falzon, Evelyn Rich, Maurice Cole and many more. Inspired by Moonage Daydream and Jen Peedom’s Mountain.

Two strangers find themselves trapped underground when the city is attacked by a monstrous threat. Badly injured with limited resources they must navigate a treacherous, narrowing tunnel in hopes of finding an exit.

Form small beginnings on a Victorian farm to globetrotting punk rock icons, the Cosmic Psychos became one of Australia's most influential bands. Now after thirty years of music making, 'Cosmic Psychos: Blokes You Can Trust' documents the highs and lows of the group's musical career as told by members from the Melvins, L7, Mud Honey, Pearl Jam, and The Hard-Ons with other international music producers and from the Cosmic Psycho band members themselves.

Rose Tattoo have remained the bad boys of Australian rock since the late 70s when they ignited Australian audiences with the hits Bad Boy For Love and Rock'n'Roll Outlaw. Performing here in front of a huge crowd at Boggo Road Jail in 1993 (the original line-up of Angry Anderson, Peter Wells, Geordie Leech and Mick Cocks reunited to celebrate the closing of the jail) the band deliver a thumping set of seminal Oz rock, rolling out all their big hits - including Assault & Battery, Tramp, Out of This Place - and a rousing rendition of the Rolling Stones classic Street Fighting Man.

Driving Miss Daisy tells the affecting story of the decades-long relationship between a stubborn Southern matriarch and her compassionate chauffeur. An iconic tale of pride, changing times and the transformative power of friendship, the play has warmed the hearts of millions of theatergoers worldwide.

Jamie Black looks into her mom's vanishing at Gladstone Manor by taking the same job. She finds clues about others missing and confronts otherworldly evil forces, suggesting her mother's disappearance is part of a larger sinister mystery.

A special agent is dispatched to investigate a distress call from an ocean liner, only to find the ship eerily abandoned and haunted by a malevolent force that twists sanity into terror.

Fueled by a boost from their 1988 hit ballad "The Flame," Cheap Trick launched a comeback that took the group around the world on their "Lap of Luxury" tour. Recorded in Sydney, Australia, this 70-minute concert includes "Surrender," "I Want You to Want Me," "Big Eyes," "If You Want My Love," "On Top of the World," "Just Got Back," "Dream Police," "Clock Strikes Ten," "Never Had a Lot to Lose" and more.

A young scientist who is convinced that a dangerous new pathogen threatens the population and tracks it back to her hometown – which is located in the shadow of the remote sheep station where the macabre events of the original Black Sheep unfolded.

A documentary about the making of Gillian Armstrong's 1982 film STARSTRUCK.

Recorded live in 1991 at the Apollo Theatre, Manchester, UK

The sun-drenched landscapes of the Northern Territory form the backdrop for a politically neutral, storytelling approach aimed at fostering learning and connection between Indigenous Australian communities and urban Australians. Our documentary chronicles the transformative journey of two First Nations men, Jaxon De Santis and Justin Grant, as they grapple with their uncertainty about the impending Voice to Parliament referendum.